1
00:00:00,000 --> 00:00:01,533
SPENCER: PREVIOUSLY
ON "ALL AMERICAN"...

2
00:00:01,533 --> 00:00:02,933
SPENCER JAMES?
BILLY BAKER,

3
00:00:02,933 --> 00:00:05,033
VARSITY COACH,
BEVERLY HIGH.

4
00:00:05,033 --> 00:00:06,300
I'LL CUT TO THE CHASE,
SPENCER.

5
00:00:06,300 --> 00:00:08,633
I NEED YOU TO COME
PLAY FOR ME.

6
00:00:08,633 --> 00:00:10,000
WE CAN OFFER YOU SOMETHING
THAT CRENSHAW CAN'T--

7
00:00:10,200 --> 00:00:12,200
A BETTER EDUCATION
IN A SAFER SCHOOL. I CAN GET YOU A WAY OUT.

8
00:00:12,200 --> 00:00:15,200
GRACE: YOU THINK I DIDN'T HEAR
ABOUT THAT SHOOTING OVER AT CRENSHAW THE OTHER NIGHT,

9
00:00:15,200 --> 00:00:16,700
THAT I DIDN'T GET A CALL
ABOUT YOUR LITTLE FIGHT?

10
00:00:16,700 --> 00:00:18,000
YOU'VE BEEN IN
AND OUT OF TROUBLE

11
00:00:18,000 --> 00:00:19,266
AT THAT SCHOOL FOR YEARS.

12
00:00:19,266 --> 00:00:21,100
COOP: THINK ABOUT
DILLON, YOUR MOMS.

13
00:00:21,100 --> 00:00:23,966
YOU COULD REALLY GET
THEM A BETTER LIFE.

14
00:00:23,966 --> 00:00:25,533
SPENCER: SO YOU'RE ROLLING
WITH GANGBANGERS NOW.

15
00:00:25,533 --> 00:00:26,366
I GOT IT HANDLED.

16
00:00:26,433 --> 00:00:28,200
NO, YOU GOT IT TWISTED
IS WHAT YOU GOT.

17
00:00:28,200 --> 00:00:29,033
DILLON: WHERE YOU GOING?

18
00:00:29,100 --> 00:00:30,833
TO MAKE SURE SHAWN
LEAVES YOU THE HELL ALONE.

19
00:00:30,833 --> 00:00:32,033
YOU SAID YOU HAD IT
HANDLED.

20
00:00:32,033 --> 00:00:33,233
I THOUGHT I DID.

21
00:00:33,233 --> 00:00:34,633
I WANT TO MAKE SURE
THAT YOU AND I

22
00:00:34,633 --> 00:00:35,833
ARE ON THE SAME PAGE.

23
00:00:35,833 --> 00:00:37,033
THERE IS NO "YOU AND I."

24
00:00:37,033 --> 00:00:38,966
IT WAS ONE DRUG-INDUCED
SCREW-UP.

25
00:00:38,966 --> 00:00:40,500
WE GOT CAUGHT UP
IN THE MOMENT,

26
00:00:40,500 --> 00:00:43,900
AND I HAD TO WALK AWAY
FROM MY BEST FRIEND BECAUSE OF IT.

27
00:00:43,900 --> 00:00:46,066
LOOK, I CAN PLAY
BOTH WAYS, COACH, OFFENSE AND DEFENSE.

28
00:00:46,066 --> 00:00:48,100
YOU ARE BURNING IT
AT BOTH ENDS OFF THE FIELD.

29
00:00:48,100 --> 00:00:50,266
I CAN'T HAVE YOU
DOING IT ON THE FIELD AS WELL.

30
00:00:50,266 --> 00:00:52,133
JORDAN: SOMETHING'S NOT RIGHT.
I THINK HE'S HURTING.

31
00:00:52,133 --> 00:00:53,400
JUST HIT YOUR RECEIVERS.

32
00:00:53,400 --> 00:00:55,033
DON'T WORRY ABOUT ME,
I'M HITTING EVERYONE

33
00:00:55,033 --> 00:00:56,666
WHO KNOWS THE PLAYBOOK.

34
00:01:01,566 --> 00:01:06,066
["BORN FOR THIS"
BY 7KINGZ PLAYING]

35
00:01:06,433 --> 00:01:08,866
♪ SOMETHING'S COMING ♪

36
00:01:13,633 --> 00:01:16,233
♪ SOMETHING'S COMING ♪

37
00:01:17,400 --> 00:01:19,300
♪ SOMETHING'S COMING ♪

38
00:01:26,233 --> 00:01:27,700
DASHES, LET'S GO.
[BLOWS WHISTLE]

39
00:01:27,700 --> 00:01:30,066
♪ OOH ♪

40
00:01:31,600 --> 00:01:33,000
STOP DRAGGING.

41
00:01:33,000 --> 00:01:36,200
YOU'RE ONLY MAKING IT
WORSE FOR YOURSELF.

42
00:01:36,200 --> 00:01:38,300
WE WILL CONTINUE TO DO
THESE TWO-A-DAYS

43
00:01:38,300 --> 00:01:43,166
UNTIL YOU SHOW ME THAT
YOU CAN WORK TOGETHER AS A TEAM.

44
00:01:43,166 --> 00:01:44,366
[GRUNTS]

45
00:01:44,366 --> 00:01:45,700
I'M NOT FEELING IT YET.

46
00:01:45,700 --> 00:01:47,433
LET'S GO.
[BLOWS WHISTLE]

47
00:01:47,433 --> 00:01:49,366
SWITCH IT UP.

48
00:01:52,000 --> 00:01:55,566
DUDE, CHILL. MY DAD
ALWAYS RIDES US HARD

49
00:01:55,566 --> 00:01:56,766
AFTER WE LOSE A GAME.
YOU KNOW THAT.

50
00:01:56,766 --> 00:02:00,133
YEAH, WE DIDN'T LOSE
THAT GAME. HE DID.

51
00:02:00,133 --> 00:02:02,200
LOOK, I HAVEN'T HAD
A GOOD NIGHT'S SLEEP ALL WEEK

52
00:02:02,200 --> 00:02:05,133
BECAUSE HOMEBOY HERE
CAN'T HOLD ONTO THE DAMN BALL.

53
00:02:05,133 --> 00:02:08,400
HE'S NOT THE ONLY ONE
WHO MADE A BAD CALL LAST WEEK.

54
00:02:11,833 --> 00:02:14,033
LISTEN UP, GUYS,
WE WIN AS A TEAM AND WE LOSE AS--

55
00:02:14,033 --> 00:02:17,033
YEAH, WE KNOW, OK?
WE KNOW.

56
00:02:17,033 --> 00:02:18,700
IT DOESN'T FEEL LIKE MUCH
OF A TEAM RIGHT NOW,

57
00:02:18,700 --> 00:02:21,366
AND IT'S ALL THANKS
TO A GUY WHO ISN'T EVEN ONE OF US.

58
00:02:36,033 --> 00:02:38,666
CONGREGATION: ♪ THIS LITTLE
LIGHT OF MINE ♪

59
00:02:38,666 --> 00:02:41,300
♪ I'M GONNA LET IT SHINE ♪

60
00:02:41,300 --> 00:02:44,000
♪ THIS LITTLE LIGHT OF MINE ♪

61
00:02:44,000 --> 00:02:46,700
♪ I'M GONNA LET IT SHINE ♪

62
00:02:46,700 --> 00:02:49,500
♪ THIS LITTLE LIGHT OF MINE ♪

63
00:02:49,500 --> 00:02:51,166
♪ I'M GONNA LET IT SHINE ♪

64
00:02:51,166 --> 00:02:58,300
♪ LET IT SHINE, LET IT SHINE,
LET IT SHINE ♪

65
00:02:58,300 --> 00:03:00,166
ALL RIGHT,
THAT WAS PRETTY GOOD.

66
00:03:00,166 --> 00:03:02,433
Y'ALL AIN'T GONNA
EMBARRASS ME ON SUNDAY.

67
00:03:02,433 --> 00:03:03,633
[LAUGHTER]

68
00:03:03,633 --> 00:03:04,866
GET ON OUT OF HERE.

69
00:03:04,866 --> 00:03:06,266
BYE.
GO ON.

70
00:03:06,266 --> 00:03:07,533
BYE.
BYE.

71
00:03:07,533 --> 00:03:09,300
THANK YOU.

72
00:03:10,566 --> 00:03:11,833
'SUP, MOM?

73
00:03:11,833 --> 00:03:13,400
HEY, BABY.

74
00:03:13,400 --> 00:03:14,266
HOW ARE YOU?

75
00:03:14,266 --> 00:03:17,666
I'M ALL RIGHT.
GIVE ME SOME SUGAR.

76
00:03:17,666 --> 00:03:20,133
WHAT TIME YOU AND DAD PLAN
ON HEADING TO THE RETREAT?

77
00:03:20,133 --> 00:03:23,266
WHY, YOU TRYING TO HAVE
A HOUSE PARTY OR SOMETHING?

78
00:03:23,266 --> 00:03:25,166
I WAS AT LEAST GONNA
GIVE IT AN HOUR.

79
00:03:25,166 --> 00:03:27,366
DON'T YOU BREAK
MY GOOD STUFF.

80
00:03:27,366 --> 00:03:28,400
NEVER.

81
00:03:28,400 --> 00:03:30,533
WE'LL BE GONE AFTER
YOU GET OUT OF SCHOOL.

82
00:03:30,533 --> 00:03:31,666
ALL RIGHT.
COME ON.

83
00:03:31,666 --> 00:03:33,600
SPEAKING OF WHICH,
DON'T BE LATE.

84
00:03:33,600 --> 00:03:34,733
LOVE YOU.
BYE.

85
00:03:34,733 --> 00:03:36,533
DON'T HAVE TOO MUCH FUN.
MM-HMM.

86
00:03:36,533 --> 00:03:38,266
TAMIA.

87
00:03:39,866 --> 00:03:42,966
NO BOYS AT THE HOUSE
AFTER WE'RE GONE.

88
00:03:44,066 --> 00:03:47,266
AT LEAST MAKE SURE
WE DON'T HEAR ABOUT IT.

89
00:03:47,266 --> 00:03:50,333
OK.

90
00:03:52,566 --> 00:03:54,666
[INDISTINCT CHATTER]

91
00:03:54,666 --> 00:03:57,800
OH, YEAH, THERE HE IS,
RIGHT THERE.

92
00:03:59,566 --> 00:04:02,033
[LAUGHTER]

93
00:04:04,566 --> 00:04:06,866
[LAUGHTER]

94
00:04:08,833 --> 00:04:10,866
HEY, MAN, WHAT'S UP?

95
00:04:10,866 --> 00:04:12,633
YOU MIND IF I SEE
YOUR PHONE?

96
00:04:12,633 --> 00:04:14,266
UM, THIS PHONE?

97
00:04:14,266 --> 00:04:16,000
YEAH.

98
00:04:16,000 --> 00:04:18,333
I DIDN'T CREATE THEM,
I SWEAR.

99
00:04:18,333 --> 00:04:20,166
IT JUST POPPED UP
IN MY GROUP CHAT,

100
00:04:20,166 --> 00:04:22,033
THEN OTHER PEOPLE
STARTED FORWARDING IT.

101
00:04:22,033 --> 00:04:24,433
YOU KNOW HOW THINGS GO VIRAL.

102
00:04:27,833 --> 00:04:29,600
[LAUGHTER]

103
00:04:29,600 --> 00:04:31,433
HE JUST DROPPED IT.

104
00:04:34,900 --> 00:04:36,600
SPENCER, SPENCER,
SPENCER, SPENCER.

105
00:04:36,600 --> 00:04:38,266
WHOA. ONE FIGHT,

106
00:04:38,266 --> 00:04:40,333
PRINCIPAL LANDON KICKS YOU OUT.
COME ON, YOU KNOW THAT.

107
00:04:40,333 --> 00:04:41,900
SO I AIN'T SUPPOSED TO
STAND UP FOR MYSELF?

108
00:04:41,900 --> 00:04:43,733
ASHER AND HIS BOYS
BEEN TALKING SMACK

109
00:04:43,733 --> 00:04:45,366
AND PULLING CRAP
LIKE THIS ALL WEEK,

110
00:04:45,366 --> 00:04:47,200
AND I'M JUST SUPPOSED
TO KEEP TURNING THE OTHER CHEEK, HUH?

111
00:04:47,200 --> 00:04:48,800
NO, THEY'RE JUST
BEING THEM.

112
00:04:48,800 --> 00:04:50,133
OK, THEY DO THIS
TO EVERYONE WHEN

113
00:04:50,133 --> 00:04:51,600
THEY MESS UP A PLAY,
EVEN ME.

114
00:04:51,600 --> 00:04:52,866
IT'S NOT PERSONAL.

115
00:04:52,866 --> 00:04:54,100
NOT PERSONAL?

116
00:04:54,100 --> 00:04:56,766
THEY MADE A MEME
OUT OF ME FUMBLING A 40.

117
00:04:56,766 --> 00:04:58,266
BUT, YEAH, THAT'S
NOT PERSONAL.

118
00:04:58,266 --> 00:05:00,500
I GUESS YOU WOULD
SEE IT THAT WAY.

119
00:05:01,700 --> 00:05:03,566
THAT'S YOUR PEOPLE.

120
00:05:03,566 --> 00:05:06,400
SPENCE, COME ON.

121
00:05:10,366 --> 00:05:11,633
[CHEERING]

122
00:05:11,633 --> 00:05:13,000
44!
[BLOWS WHISTLE]

123
00:05:13,000 --> 00:05:15,666
[HIP-HOP MUSIC PLAYING]

124
00:05:15,666 --> 00:05:19,666
8!
[BLOWS WHISTLE]

125
00:05:19,666 --> 00:05:21,100
10.
[BLOWS WHISTLE]

126
00:05:26,166 --> 00:05:29,133
LET'S GO.
SPENCER, HUDDLE IN.

127
00:05:29,133 --> 00:05:31,966
24.
[BLOWS WHISTLE]

128
00:05:33,066 --> 00:05:35,666
7.
[BLOWS WHISTLE]

129
00:05:35,666 --> 00:05:38,666
ALL RIGHT.

130
00:05:38,666 --> 00:05:39,866
HEY, HEY!

131
00:05:39,866 --> 00:05:41,566
ASH, GET OFF THE FIELD!

132
00:05:41,566 --> 00:05:42,733
GET OFF MY FIELD!

133
00:05:42,733 --> 00:05:44,666
I DIDN'T CALL
YOUR NUMBER!

134
00:05:44,666 --> 00:05:45,933
YOU CROSSED THE LINE.

135
00:05:45,933 --> 00:05:47,700
COME ON, YOU KNOW BETTER.

136
00:05:47,700 --> 00:05:48,900
ARE YOU SERIOUS?
BAKER: HEY, HEY!

137
00:05:48,900 --> 00:05:50,100
WHAT, FOR HIM?

138
00:05:50,100 --> 00:05:52,700
HEY, ENOUGH, ENOUGH.

139
00:05:52,700 --> 00:05:54,633
[WHISTLE BLOWING]

140
00:05:56,033 --> 00:06:00,500
BAKER: YOU'RE SUPPOSED
TO BE A TEAM, A FAMILY!

141
00:06:00,500 --> 00:06:04,266
RIGHT NOW YOU ARE NOTHING
MORE THAN AN EMBARRASSMENT.

142
00:06:04,266 --> 00:06:06,400
Y'ALL FEEL LIKE
GIVING UP THIS SEASON?

143
00:06:06,400 --> 00:06:08,066
Y'ALL READY FOR THAT?
I'M NOT.

144
00:06:08,066 --> 00:06:11,700
AND I REFUSE TO LET YOU
GIVE UP ON YOUR FUTURES.

145
00:06:11,700 --> 00:06:14,166
FIGURE IT OUT FAST,

146
00:06:14,166 --> 00:06:18,666
'CAUSE IF Y'ALL AIN'T
BONDED LIKE GLUE BY MONDAY,

147
00:06:18,666 --> 00:06:24,100
THIS LAST WEEK OF
TWO-A-DAYS IS GONNA FEEL LIKE A DAMN VACATION.

148
00:06:27,433 --> 00:06:29,200
DISGUSTED.

149
00:06:30,133 --> 00:06:33,533
[INDISTINCT CHATTER]

150
00:06:33,533 --> 00:06:34,666
COACH IS RIGHT.

151
00:06:34,666 --> 00:06:36,266
THIS ISN'T
WHO WE ARE.

152
00:06:36,266 --> 00:06:39,166
TOMORROW, MANDATORY
MEETING, 8:00 A.M.,

153
00:06:39,166 --> 00:06:41,666
ZOOMER TRIP, OK?
YOU GUYS KNOW THE DEAL.

154
00:06:41,666 --> 00:06:45,300
WE'LL WORK OUT TOGETHER,
WE'LL TALK THIS CRAP OUT TOGETHER,

155
00:06:45,300 --> 00:06:48,166
AND WHEN THE SUN SETS,
WE'LL COME BACK TOGETHER.

156
00:06:48,166 --> 00:06:49,633
BOY: LET'S DO IT.

157
00:06:49,633 --> 00:06:50,833
HEY, WHERE YOU GOING?

158
00:06:50,833 --> 00:06:52,333
MAN, I GOT A BUS
TO CATCH.

159
00:06:52,333 --> 00:06:54,100
IT'S FRIDAY.
I'M GOING BACK TO CRENSHAW.

160
00:06:54,100 --> 00:06:55,800
I'LL BE BACK MONDAY.

161
00:06:55,800 --> 00:06:57,266
JORDAN: HEY, HEY, HOLD UP.

162
00:06:57,266 --> 00:07:00,500
HEY, YOU'RE REALLY
BLOWING THIS OFF?

163
00:07:00,500 --> 00:07:02,166
YOU'RE REALLY NOT GONNA
SHOW UP FOR YOUR TEAM?

164
00:07:02,166 --> 00:07:03,833
MAN, I'VE BEEN
SHOWING UP,

165
00:07:03,833 --> 00:07:06,466
EVERY GAME,
EVERY PRACTICE, EVERY TEAM BEACH DAY.

166
00:07:06,466 --> 00:07:07,966
WHAT MORE DO YOU WANT
FROM ME, DAWG?

167
00:07:07,966 --> 00:07:09,300
I WANT YOU TO WANT
TO BE HERE,

168
00:07:09,300 --> 00:07:11,633
TO WANT TO BE A PART
OF THIS TEAM.

169
00:07:11,633 --> 00:07:15,166
THAT'S MORE THAN JUST
GAMES AND PRACTICES.

170
00:07:15,166 --> 00:07:17,333
MAN, I JUST FOUGHT
MY BEST FRIEND FOR YOU.

171
00:07:17,333 --> 00:07:18,533
I DIDN'T ASK YOU
TO DEFEND ME.

172
00:07:18,533 --> 00:07:20,400
I DIDN'T ASK FOR
NONE OF THIS.

173
00:07:20,400 --> 00:07:23,566
THE WEEKENDS ARE
THE ONLY TIME I GET TO SEE MY FAMILY.

174
00:07:23,566 --> 00:07:26,700
YOU KNOW THIS BETTER
THAN ANYONE.

175
00:07:26,700 --> 00:07:31,033
SO Y'ALL CAN DO YOUR TEAM
WHATEVER WITHOUT ME.

176
00:07:31,033 --> 00:07:35,000
AFTER ALL, I AIN'T EVEN
ONE OF YOU, RIGHT?

177
00:07:35,000 --> 00:07:38,800
["RUN FOR YOUR LIFE"
BY THE SIEGE PLAYING]

178
00:07:38,800 --> 00:07:41,533
♪ YEAH ♪

179
00:07:41,533 --> 00:07:43,466
♪ I AIN'T TRYING TO
BRING YOU DOWN ♪

180
00:07:43,466 --> 00:07:45,166
♪ BUT FOR REAL, YOU MIGHT
AS WELL GIVE UP NOW ♪

181
00:07:45,166 --> 00:07:47,166
♪ MY LIFE BEEN GOOD AND BAD
AND ALL AROUND ♪

182
00:07:47,166 --> 00:07:49,433
♪ THE MORE THINGS I LOST,
THE MORE I FOUND ♪

183
00:07:49,433 --> 00:07:51,300
♪ ONE THING I TAUGHT
MYSELF TO DO ♪

184
00:07:51,300 --> 00:07:53,800
♪ NO MATTER THE PROBLEM,
REFUSE TO LOSE, SO ♪

185
00:07:53,800 --> 00:07:56,766
♪ RUN FOR YOUR LIFE ♪

186
00:07:56,766 --> 00:07:58,833
♪ RUN FOR YOUR LIFE ♪

187
00:07:58,833 --> 00:08:00,400
♪ RUN FOR YOUR LIFE ♪

188
00:08:03,833 --> 00:08:05,100
SO HOW AWESOME IS THIS?

189
00:08:05,100 --> 00:08:06,833
KIND OF LIKE
OLD TIMES, RIGHT?

190
00:08:06,833 --> 00:08:08,533
YEAH.

191
00:08:08,533 --> 00:08:11,133
SO WHY EXACTLY DID
MS. BENCH PUT US

192
00:08:11,133 --> 00:08:12,633
TOGETHER FOR
THE ENGLISH PROJECT?

193
00:08:12,633 --> 00:08:15,133
BEATS ME. WHEN I TRIED
TALKING TO HER ABOUT IT,

194
00:08:15,133 --> 00:08:17,833
SHE JUST SAID PARTNER
ASSIGNMENTS ARE FINAL.

195
00:08:17,833 --> 00:08:19,200
LUCKY US.

196
00:08:19,200 --> 00:08:21,400
HEY, LET'S TRY AND MAKE
THE BEST OF IT.

197
00:08:21,400 --> 00:08:23,433
I MEAN, I KNOW IT'S HOMEWORK,

198
00:08:23,433 --> 00:08:25,866
BUT WHO KNOWS,
MIGHT BE FUN.

199
00:08:25,866 --> 00:08:27,566
[INDISTINCT CHATTER]

200
00:08:27,566 --> 00:08:29,900
WHY IS THIS SO HARD?
IT'S ONE SIMPLE QUESTION--

201
00:08:29,900 --> 00:08:31,300
WHO WAS SHAKESPEARE?

202
00:08:31,300 --> 00:08:32,933
I MEAN, SERIOUSLY,
THERE'S, LIKE, A HUNDRED

203
00:08:32,933 --> 00:08:35,633
CONSPIRACY THEORIES ABOUT
WHO THIS GUY REALLY WAS.

204
00:08:35,633 --> 00:08:38,800
WELL, NAME ASIDE,
WHO HE WAS COMES THROUGH IN HIS WORK,

205
00:08:38,800 --> 00:08:42,733
WHICH IS WHY I'M TRYING
TO FOCUS ON THAT, SO...

206
00:08:42,733 --> 00:08:43,866
LOOK, I KNOW I--

207
00:08:43,866 --> 00:08:45,766
ASHER: WHAT'S UP, LADIES?

208
00:08:45,766 --> 00:08:46,666
HEY, BABE.

209
00:08:46,666 --> 00:08:48,633
UH, WHAT ARE YOU
GUYS DOING HERE?

210
00:08:48,633 --> 00:08:51,166
JJ AND I ARE ALSO WORKING
ON THE ENGLISH THING,

211
00:08:51,166 --> 00:08:53,933
SO I FIGURED 4 BRAINS
ARE BETTER THAN TWO.

212
00:08:53,933 --> 00:08:56,533
JJ: UH, MAKE THAT
3 BRAINS.

213
00:08:56,533 --> 00:08:58,233
THIS SHAKESPEARE
DUDE'S NOT REALLY MY THING.

214
00:08:58,233 --> 00:09:00,800
BUT, HEY, FOOD'S ON ME.

215
00:09:03,900 --> 00:09:05,433
[WHISTLE BLOWS]

216
00:09:05,433 --> 00:09:06,833
COOP: SO WHAT, Y'ALL NEVER
MADE FUN OF EACH OTHER

217
00:09:06,833 --> 00:09:08,033
WHEN Y'ALL MESSED UP HERE?

218
00:09:08,033 --> 00:09:09,300
IT AIN'T JUST
THE WHACK MEMES

219
00:09:09,300 --> 00:09:10,866
OR THE HAZING.

220
00:09:10,866 --> 00:09:12,300
THEY DON'T ACCEPT ME.

221
00:09:12,300 --> 00:09:15,400
I MEAN, MAN, ACCEPTANCE
GO BOTH WAYS, THOUGH.

222
00:09:15,400 --> 00:09:17,300
YOU GOT TO BE HONEST.
AIN'T LIKE YOU BEEN ALL OPEN ARMS.

223
00:09:17,300 --> 00:09:18,900
YEAH, OK, IYANLA.

224
00:09:18,900 --> 00:09:20,400
[SCOFFS]
MAN, SHUT UP.

225
00:09:20,400 --> 00:09:22,433
YOU KNOW THE FACT YOU
LECTURE ME ON HONESTY

226
00:09:22,433 --> 00:09:24,200
AND ACCEPTANCE IS
HILARIOUS, RIGHT?

227
00:09:24,200 --> 00:09:25,900
WHAT ARE YOU TRYING TO SAY?

228
00:09:25,900 --> 00:09:28,566
YOU FINALLY BEEN HONEST
WITH YOUR PARENTS AND TOLD THEM YOU GAY?

229
00:09:28,566 --> 00:09:32,233
I MEAN, LISTEN, HAVE
THEY NOT MET ME?

230
00:09:32,233 --> 00:09:35,266
HOW CAN I BE ANYTHING ELSE?

231
00:09:35,266 --> 00:09:37,733
SERIOUSLY, I'M NOT
RESPONSIBLE FOR THEIR BLINDNESS.

232
00:09:37,733 --> 00:09:40,066
BUT NICE TRY, THOUGH, BRO.
WE AIN'T DONE TALKING ABOUT YOU.

233
00:09:40,066 --> 00:09:42,066
MAN, WERE YOU ALWAYS
THIS TALKATIVE?

234
00:09:42,066 --> 00:09:44,400
ALL I'M SAYING IS, MAN,

235
00:09:44,400 --> 00:09:47,500
PHYSICALLY,
YOU WITH BEVERLY,

236
00:09:47,500 --> 00:09:51,333
BUT IN YOUR HEART, YOU'RE
WITH A WHOLE 'NOTHER TEAM.

237
00:09:52,766 --> 00:09:54,500
YOU THINK THE RICH BOYS
DON'T REALIZE

238
00:09:54,500 --> 00:09:57,933
YOU STILL ROCKING YOUR
SOUTH CRENSHAW FOOTBALL RING?

239
00:09:57,933 --> 00:09:59,366
SERIOUSLY, MAN.

240
00:09:59,366 --> 00:10:01,100
AND IF IYANLA
WAS HERE,

241
00:10:01,100 --> 00:10:03,866
SHE'D PROBABLY TELL YOU,
"CHILD, LISTEN."

242
00:10:03,866 --> 00:10:06,266
DON'T YOU DARE.

243
00:10:06,266 --> 00:10:07,966
"CAN'T BE ACCEPTED
ON ONE TEAM

244
00:10:07,966 --> 00:10:09,400
TILL YOU LET GO
OF THE OTHER."

245
00:10:09,400 --> 00:10:11,266
MAN, I JUST CAME TO SEE
SOME OLD FRIENDS, OK?

246
00:10:11,266 --> 00:10:14,900
MM-HMM. AND PEEP
YOUR NEW REPLACEMENT.

247
00:10:14,900 --> 00:10:16,966
YEAH, MAYBE THAT, TOO.

248
00:10:16,966 --> 00:10:18,800
YEAH, I KNOW THAT, TOO.

249
00:10:18,800 --> 00:10:19,833
YOU AIN'T SLICK.

250
00:10:19,833 --> 00:10:21,300
I'M SLICKER THAN YOU.
YEAH, ALL RIGHT.

251
00:10:21,300 --> 00:10:23,800
YOU SAW THAT, RIGHT?

252
00:10:23,800 --> 00:10:26,200
HEY, BOO.

253
00:10:26,200 --> 00:10:28,833
MAN, LOOK WHO BACK
SLUMMING IT IN THE 'HOOD.

254
00:10:28,833 --> 00:10:31,166
HEY, WHAT UP, FELLAS?
Y'ALL MISS ME?

255
00:10:31,166 --> 00:10:32,800
WHAT'S UP, BOY?

256
00:10:32,800 --> 00:10:34,633
HOW YOU DOING?
CHILLIN', CHILLIN'.

257
00:10:34,633 --> 00:10:36,333
HEY, YOU STILL COMING
TO MY MAMA'S COOKOUT LATER?

258
00:10:36,333 --> 00:10:37,566
SHE STILL MAKING HER
FAMOUS MAC AND CHEESE?

259
00:10:37,566 --> 00:10:39,700
ONLY RIGHT.
THEN HELL, YEAH.

260
00:10:39,700 --> 00:10:42,700
HEY, Y'ALL CALLED UP
CAMERON WILSON TO REPLACE ME, HUH?

261
00:10:42,700 --> 00:10:45,200
HEY, AT LEAST BROTHER'S
WILLING TO ROCK A SOUTH CRENSHAW JERSEY.

262
00:10:45,200 --> 00:10:46,900
OH, IT'S LIKE THAT?

263
00:10:46,900 --> 00:10:48,233
IT'S LIKE THAT, DAWG.

264
00:10:48,233 --> 00:10:50,266
ALL RIGHT. OK. OK.

265
00:10:50,266 --> 00:10:51,966
I'LL CHECK YOU AT
THE COOKOUT, THOUGH.

266
00:10:51,966 --> 00:10:55,433
I BET.
[WHISTLE BLOWS]

267
00:10:55,433 --> 00:10:56,800
ALL RIGHT, I'M READY
TO CLEAN OUT THE SYSTEM

268
00:10:56,800 --> 00:10:59,533
AND THEN HIT ROUND TWO.
WHO WANTS MORE FOOD?

269
00:10:59,533 --> 00:11:02,733
YOU KNOW, YOU DON'T NEED
TO ANNOUNCE EVERY TIME YOU NEED TO DROP A DEUCE.

270
00:11:02,733 --> 00:11:07,200
WHY DON'T I GET THE FOOD
AND YOU GO TAKE CARE OF THAT?

271
00:11:07,200 --> 00:11:09,266
DOES ANYONE WANT ANYTHING?

272
00:11:09,266 --> 00:11:10,866
NO, I'M GOOD.

273
00:11:10,866 --> 00:11:12,000
YEAH, I'LL GET A DRINK.

274
00:11:12,000 --> 00:11:13,333
A PEACH AND GINGER
ICED TEA

275
00:11:13,333 --> 00:11:15,200
WITH TWO SPLASHES
OF SODA WATER.

276
00:11:15,200 --> 00:11:17,100
OF COURSE I REMEMBER
YOUR GO-TO.

277
00:11:17,100 --> 00:11:19,366
WHY WOULD I FORGET?

278
00:11:24,933 --> 00:11:27,033
I KNOW WHAT YOU'RE DOING.

279
00:11:27,033 --> 00:11:28,966
TRYING NOT TO FAIL ENGLISH?

280
00:11:28,966 --> 00:11:30,566
THIS ISN'T FUNNY.

281
00:11:30,566 --> 00:11:32,833
I ALREADY AGREED TO KEEP
OUR STUPID HOOKUP A SECRET.

282
00:11:32,833 --> 00:11:36,833
OK, YOUR PERFECT BOYFRIEND
COVER STAYS INTACT. HAPPY?

283
00:11:38,500 --> 00:11:41,200
THIS ISN'T ABOUT
COVERING MY ASS.

284
00:11:41,200 --> 00:11:42,466
IT'S ABOUT NOT
DESTROYING THE LIVES

285
00:11:42,466 --> 00:11:44,266
OF THE 3 PEOPLE I
CARE ABOUT THE MOST.

286
00:11:44,266 --> 00:11:45,833
LEILA WOULD BE DEVASTATED,

287
00:11:45,833 --> 00:11:47,766
AND JORDAN WOULD HATE ME
FOR INVOLVING YOU.

288
00:11:47,766 --> 00:11:49,966
AND LET ME GUESS,
THIRD PERSON'S YOU.

289
00:11:49,966 --> 00:11:51,266
ACTUALLY, IT'S YOU.

290
00:11:51,266 --> 00:11:53,600
I'M SERIOUS.

291
00:11:53,600 --> 00:11:55,466
YOU HAD A ROUGH RIDE
LAST YEAR,

292
00:11:55,466 --> 00:11:57,366
AND YOU'RE KIND OF
REALLY TURNING THINGS AROUND.

293
00:11:57,366 --> 00:11:59,466
I DON'T WANT TO MESS
THAT UP FOR YOU.

294
00:12:05,600 --> 00:12:08,666
SPENCER: YOU GOT TO BE
KIDDING ME.

295
00:12:12,933 --> 00:12:15,833
WHO IS THIS
EL DEBARGE-LOOKING DUDE?

296
00:12:15,833 --> 00:12:17,033
JORDAN,

297
00:12:17,033 --> 00:12:18,900
WHAT YOU DOING HERE, MAN?

298
00:12:18,900 --> 00:12:20,300
THERE THEY ARE.

299
00:12:20,300 --> 00:12:21,733
LOOK LIKE HE
BASTARDIZING

300
00:12:21,733 --> 00:12:23,333
THEM POOR GREENS IS
WHAT IT LOOK LIKE.

301
00:12:23,333 --> 00:12:24,766
YOU NEVER BEEN IN
A KITCHEN BEFORE?

302
00:12:24,766 --> 00:12:27,066
JORDAN WAS SWEET ENOUGH
TO HELP ME OUT

303
00:12:27,066 --> 00:12:28,800
WHILE HE WAITED ON YOU.

304
00:12:28,800 --> 00:12:31,800
DILLON: I DON'T KNOW THAT "HELP"
WOULD BE THE WORD I WOULD USE.

305
00:12:31,800 --> 00:12:33,600
OK, EVERYBODY'S GOT
JOKES TODAY, HUH?

306
00:12:33,600 --> 00:12:35,566
[LAUGHTER]
WHY ARE YOU HERE?

307
00:12:35,566 --> 00:12:36,766
TO TALK ABOUT THE TEAM.

308
00:12:36,766 --> 00:12:38,300
NO, MAN, NOW IS NOT
A GOOD TIME.

309
00:12:38,300 --> 00:12:39,566
LOOK, WE DON'T STAND
A CHANCE THIS SEASON

310
00:12:39,566 --> 00:12:40,900
UNLESS WE ALL WORK
TOGETHER.

311
00:12:40,900 --> 00:12:42,333
OR DO YOU NOT CARE
ABOUT WINNING ANYMORE?

312
00:12:42,333 --> 00:12:43,833
LOOK, I'LL PLAY,
I'LL PRACTICE,

313
00:12:43,833 --> 00:12:45,533
AND I'LL DAMN SURE DO
MY PART ON THE FIELD.

314
00:12:45,533 --> 00:12:47,200
BUT NOTHING MORE?
I CAME TO BEVERLY

315
00:12:47,200 --> 00:12:48,933
TO PLAY FOOTBALL,
NOT FORCE MYSELF

316
00:12:48,933 --> 00:12:52,100
INTO FAKE FRIENDSHIPS
WITH FOLKS WHO WANT NOTHING TO DO WITH ME.

317
00:12:52,100 --> 00:12:53,433
FAKE FRIENDSHIPS?

318
00:12:53,433 --> 00:12:54,700
I WELCOMED YOU INTO MY HOME.

319
00:12:54,700 --> 00:12:56,766
ALL RIGHT, LOOK,
NO SHADE. YOU COOL.

320
00:12:56,766 --> 00:12:58,566
BUT IF WE'RE BEING HONEST,
YOU DON'T KNOW NOTHING

321
00:12:58,566 --> 00:13:02,100
ABOUT ME, DAWG,
OR WHERE I'M FROM.

322
00:13:02,100 --> 00:13:05,200
YOU KNOW WHAT?
I'M HERE NOW.

323
00:13:05,200 --> 00:13:06,933
LET'S FIX THAT.

324
00:13:06,933 --> 00:13:07,933
NAH, NAH.

325
00:13:07,933 --> 00:13:09,966
LOOK, I GOT PLANS,
I GOT FRIENDS COMING OVER.

326
00:13:09,966 --> 00:13:12,466
I KNOW, YEAH, YOUR MOM
ALREADY SAID I COULD STAY FOR THE COOKOUT.

327
00:13:12,466 --> 00:13:15,566
AND YOU KNOW, SPENCE,
I CAN'T THINK OF A BETTER WAY TO REALLY

328
00:13:15,566 --> 00:13:17,333
GET TO KNOW YOU
AND CRENSHAW.

329
00:13:17,333 --> 00:13:18,533
HEY, JORDAN.
CAN YOU?

330
00:13:18,533 --> 00:13:21,133
JORDAN. JORDAN,
I AIN'T PLAYING.

331
00:13:21,133 --> 00:13:23,000
JORDAN.

332
00:13:26,633 --> 00:13:29,033
YOU WANT TO TELL ME
WHAT'S GOING ON?

333
00:13:30,866 --> 00:13:33,533
IT'S GONNA BE ONE
LONG-ASS DAY.

334
00:13:35,133 --> 00:13:40,300
["LIVING THE DREAM" BY TONY REDZ
AND MR. MAJOR PLAYING]

335
00:13:40,300 --> 00:13:41,066
♪ JUST CALLED MY MAMA TODAY ♪

336
00:13:41,066 --> 00:13:43,133
♪ I AIN'T TALKED TO HER ENOUGH,
BUT EVERYTHING'S OK ♪

337
00:13:43,133 --> 00:13:45,566
♪ COUPLE LAUGHS, COUPLE JOKES,
TALKING 'BOUT THE KIDS ♪

338
00:13:45,566 --> 00:13:47,766
♪ I AIN'T SEEN THAT BOY IN
MONTHS, SO YOU KNOW WHAT IT IS ♪

339
00:13:47,766 --> 00:13:51,400
♪ YES, TOTAL SIGN OF FLEX,
AND I'LL BE WRITING ALL THESE HITS ♪

340
00:13:51,400 --> 00:13:53,033
♪ I BE GETTING THEM CHECKS ♪

341
00:13:53,033 --> 00:13:54,766
♪ SHE SAID WHO WANT TO BE
N-S-H-A-S ♪

342
00:13:54,766 --> 00:13:56,766
♪ BUT IS IT REALLY GOOD?
AND I SAID HE'S THE BEST, YES ♪

343
00:13:56,766 --> 00:13:57,966
[CELL PHONE RINGS]

344
00:13:57,966 --> 00:13:59,366
♪ BUT LET THE STORY UNFOLD ♪

345
00:13:59,366 --> 00:14:02,000
♪ I WAS A YOUNG CHUBBY... ♪

346
00:14:02,000 --> 00:14:04,366
NOT TODAY, MAN.

347
00:14:04,366 --> 00:14:08,833
I'M JUST TRYING TO ENJOY
THIS FINE-ASS FOOD,

348
00:14:08,833 --> 00:14:10,666
THIS FINE-ASS COMPANY.

349
00:14:10,666 --> 00:14:11,900
OH, MY GOSH.

350
00:14:11,900 --> 00:14:13,366
[LAUGHS]

351
00:14:13,366 --> 00:14:14,933
COME ON, MAN,
SIT DOWN.

352
00:14:14,933 --> 00:14:16,266
WE CAN WILD OUT LATER.
HAVE A SEAT.

353
00:14:16,266 --> 00:14:18,800
ALL RIGHT.
I DIDN'T SAY NOTHING.

354
00:14:18,800 --> 00:14:21,233
WHAT'S UP,
BEVERLY HILLS?

355
00:14:23,533 --> 00:14:26,633
MAN, DON'T SWEAT IT.
I'LL TALK TO YOU.

356
00:14:29,166 --> 00:14:32,300
HEY, AREN'T YOU TWO
A SIGHT FOR SORE EYES?

357
00:14:32,300 --> 00:14:34,066
HEY, LEILA.
HI, COACH BAKER.

358
00:14:34,066 --> 00:14:35,533
HOW YOU DOING?
DAD, DON'T BE WEIRD.

359
00:14:35,533 --> 00:14:37,033
I LITERALLY JUST
SAW YOU THIS MORNING.

360
00:14:37,033 --> 00:14:38,400
OH, I'M JUST SAYING
IT'S BEEN A WHILE

361
00:14:38,400 --> 00:14:39,966
SINCE I'VE SEEN
YOU TWO TOGETHER.

362
00:14:39,966 --> 00:14:41,166
AND ON THAT NOTE,

363
00:14:41,166 --> 00:14:43,133
WE HAVE A LOT OF
WORK TO DO, SO...

364
00:14:43,133 --> 00:14:44,866
ALL RIGHT, WELL,
WHAT'S THE ASSIGNMENT?

365
00:14:44,866 --> 00:14:46,366
MAYBE I CAN HELP.
DAD, NO.

366
00:14:46,366 --> 00:14:48,366
OH, WE'RE DOING
A SYMBOLIC PORTRAIT

367
00:14:48,366 --> 00:14:49,866
OF WILLIAM SHAKESPEARE,

368
00:14:49,866 --> 00:14:51,600
SO USING PAINT, COLLAGE,

369
00:14:51,600 --> 00:14:54,633
QUOTATIONS AND STUFF
TO DISSECT HIS REAL IDENTITY.

370
00:14:54,633 --> 00:14:55,900
WOW. OK.

371
00:14:55,900 --> 00:14:57,233
HA. BACK IN MY DAY,

372
00:14:57,233 --> 00:14:58,900
WE JUST USED TO
WRITE PAPERS,

373
00:14:58,900 --> 00:15:03,366
BUT, UH, HAVE YOU SEEN
THE MOVIE "ANONYMOUS"?

374
00:15:03,366 --> 00:15:05,233
THE SHAKESPEARE
FRAUD MOVIE?

375
00:15:05,233 --> 00:15:06,566
THAT'S THE ONE.
YEAH, SO WHY DON'T

376
00:15:06,566 --> 00:15:08,233
YOU TAKE A BREAK
AND WATCH THAT?

377
00:15:08,233 --> 00:15:09,866
UH, YOU KNOW, YOU TWO
HAVE ALWAYS LOVED

378
00:15:09,866 --> 00:15:11,000
A GOOD MOVIE DAY.

379
00:15:11,000 --> 00:15:12,666
I'LL MAKE THE POPCORN.

380
00:15:12,666 --> 00:15:14,700
COOL.

381
00:15:17,733 --> 00:15:19,333
[INDISTINCT CHATTER]

382
00:15:21,333 --> 00:15:23,300
I DON'T KNOW HOW
TO PLAY THIS.

383
00:15:23,300 --> 00:15:25,000
I'M GONNA SHOW YOU GUYS.
DON'T EVEN WORRY ABOUT IT.

384
00:15:25,000 --> 00:15:26,233
SO WHY ARE
WE DOING THIS?

385
00:15:26,233 --> 00:15:27,566
'CAUSE I WANT TO KNOW
HOW TO PLAY.

386
00:15:27,566 --> 00:15:29,133
COOP: BOY, SHUT UP.
JUST SHOW ME.

387
00:15:29,133 --> 00:15:30,366
I GOT YOU.

388
00:15:30,366 --> 00:15:31,700
THIS IS LIKE NINES.
I DON'T KNOW.

389
00:15:31,700 --> 00:15:33,866
I DON'T GET IT.
I DON'T KNOW.

390
00:15:36,066 --> 00:15:37,633
OK.

391
00:15:37,633 --> 00:15:38,633
LOOK AT HIM.

392
00:15:38,633 --> 00:15:40,866
ABOUT TIME YOU JOINED US,
BABYFACE.

393
00:15:40,866 --> 00:15:42,700
IT'S JORDAN.

394
00:15:42,700 --> 00:15:43,766
IT'S JORDAN.

395
00:15:43,766 --> 00:15:46,566
LOOK AT YOU, STICKING
UP FOR YOURSELF.

396
00:15:46,566 --> 00:15:49,300
HEY, JORDAN.
I MIGHT LIKE YOU.

397
00:15:49,300 --> 00:15:51,566
WHERE YOU FROM,
JORDAN?

398
00:15:51,566 --> 00:15:53,533
OH, HE BEVERLY HILLS
ALL DAY.

399
00:15:53,533 --> 00:15:55,066
MY FAMILY'S
FROM AROUND HERE.

400
00:15:55,066 --> 00:15:57,133
OH, YEAH?
WHERE YOUR GRANDMA STAY?

401
00:15:57,133 --> 00:16:00,100
SHE'S, UH--I DON'T KNOW
THE ADDRESS.

402
00:16:00,100 --> 00:16:01,366
WE HAVEN'T BEEN BACK IN--

403
00:16:01,366 --> 00:16:03,900
UH-UH, YOU AIN'T
FROM AROUND HERE.

404
00:16:03,900 --> 00:16:05,300
HEY, IT'S YOUR LOSS.

405
00:16:05,300 --> 00:16:07,900
GOT A COUPLE OF SPECIAL
FOLKS AROUND HERE.

406
00:16:09,166 --> 00:16:10,500
AH, WHAT UP?

407
00:16:10,500 --> 00:16:12,166
BIG DAWG, HOW YOU DOING?
I'M GOOD.

408
00:16:12,166 --> 00:16:14,000
HOW YOU FEELING?
I'M GOOD, I'M LIVING.

409
00:16:14,000 --> 00:16:15,133
YOU KNOW EVERYBODY,
RIGHT?

410
00:16:15,133 --> 00:16:16,633
YEAH. WHAT'S UP?

411
00:16:16,633 --> 00:16:18,100
OH, MAN, I HOPE IT'S COOL.
I BROUGHT MY BOY CAM.

412
00:16:18,100 --> 00:16:20,400
YEAH, FOR SURE.
WHAT UP, MAN?

413
00:16:20,400 --> 00:16:22,900
HEY, Y'ALL GET SOME
CHAIRS, BE COMFORTABLE.

414
00:16:26,100 --> 00:16:27,700
STOP.

415
00:16:27,700 --> 00:16:30,100
DO YOU SERIOUSLY
STILL CRY AT THE END OF EVERY MOVIE?

416
00:16:30,100 --> 00:16:31,733
NO, MY CONTACTS ARE DRY.

417
00:16:31,733 --> 00:16:34,100
RIGHT. JUST LIKE
IT WAS YOUR CONTACTS

418
00:16:34,100 --> 00:16:35,666
WHEN WE SAW
"BLACK PANTHER,"

419
00:16:35,666 --> 00:16:38,500
"STEP UP," "STEP UP 2,"
"COCO."

420
00:16:38,500 --> 00:16:40,900
NO, YOU CRIED AT
"COCO," TOO.

421
00:16:40,900 --> 00:16:42,100
[LAUGHS]

422
00:16:42,100 --> 00:16:44,300
HEY, UM, REMEMBER
LAST FALL

423
00:16:44,300 --> 00:16:46,500
AT ANGEL'S POINT?

424
00:16:46,500 --> 00:16:49,166
ACTUALLY, LAST YEAR'S
KIND OF A BLUR FOR ME.

425
00:16:49,166 --> 00:16:50,600
NO, YOU REMEMBER.

426
00:16:50,600 --> 00:16:52,633
NO, NOT REALLY.
AT THE PARK--

427
00:16:52,633 --> 00:16:55,933
YOU KNOW, WE SHOULD
REALLY GET BACK TO THE ENGLISH PROJECT.

428
00:16:58,800 --> 00:16:59,800
SERIOUSLY?

429
00:16:59,800 --> 00:17:02,366
SO I DON'T REMEMBER
EVERY LITTLE THING.

430
00:17:02,366 --> 00:17:04,366
I WAS HIGH A LOT
BACK THEN, OK?

431
00:17:04,366 --> 00:17:07,966
I'M KIND OF TRYING
NOT TO REMEMBER ALL THE CRAZY CRAP I DID.

432
00:17:10,933 --> 00:17:14,000
UM, WOW.

433
00:17:14,000 --> 00:17:16,800
UH, I SHOULD GO.

434
00:17:16,800 --> 00:17:18,033
WHY?

435
00:17:18,033 --> 00:17:19,233
THIS WAS A MISTAKE.

436
00:17:19,233 --> 00:17:20,433
I SHOULD HAVE NEVER
ASKED MS. BENCH

437
00:17:20,433 --> 00:17:22,033
TO PUT US TOGETHER.

438
00:17:22,033 --> 00:17:23,800
YES, IT WAS ME.

439
00:17:23,800 --> 00:17:27,733
I JUST THOUGHT MAYBE
IF WE SPENT SOME TIME TOGETHER THAT...

440
00:17:27,733 --> 00:17:29,300
ANYWAY, IT DOESN'T MATTER
WHAT I THOUGHT.

441
00:17:29,300 --> 00:17:31,233
I DO NOT WANT TO FORCE
ANYONE INTO MY LIFE

442
00:17:31,233 --> 00:17:32,566
WHO DOESN'T WANT TO BE THERE.

443
00:17:32,566 --> 00:17:34,433
I'LL JUST--I'LL
FINISH THIS ON MY OWN.

444
00:17:39,766 --> 00:17:43,400
HEY, MAN, YOU KNOW,
BRO, NAS IS TRASH.

445
00:17:43,400 --> 00:17:44,800
WHAT?
HOLD ON.

446
00:17:44,800 --> 00:17:46,466
NOW YOU'RE JUST
TROLLING, BRO.

447
00:17:46,466 --> 00:17:47,700
I MEAN, WHAT HE
EVEN BE SAYING?

448
00:17:47,700 --> 00:17:49,066
HE AIN'T SAYING NOTHING
REALLY THAT DEEP.

449
00:17:49,066 --> 00:17:50,500
ALL RIGHT, SO WHO GET
THE NUMBER-ONE SPOT--

450
00:17:50,500 --> 00:17:51,900
BIGGIE OR PAC?
CAMERON: BIGGIE, EASY.

451
00:17:51,900 --> 00:17:54,433
MAN, YOU ON
THE WRONG COAST, DAWG.

452
00:17:54,433 --> 00:17:56,600
STRAIGHT UP, MAN.
PAC WAS AN ACTIVIST, A POET.

453
00:17:56,600 --> 00:17:58,066
HE WASN'T A BETTER RAPPER.

454
00:17:58,066 --> 00:17:59,266
WHO HAD A BETTER FLOW?

455
00:17:59,266 --> 00:18:00,566
RAKIM.
HANDS DOWN.

456
00:18:00,566 --> 00:18:03,766
HE WAS A LYRICAL GENIUS,
CRAZY MIC TECHNIQUES,

457
00:18:03,766 --> 00:18:05,900
THE ORIGINAL SMOOTH FLOW.
COME ON, GUYS.

458
00:18:05,900 --> 00:18:09,466
"PAID IN FULL."
NO ONE EVEN COMES CLOSE TO TOUCHING THAT ALBUM.

459
00:18:09,466 --> 00:18:11,133
GREATEST OF ALL TIME.

460
00:18:11,133 --> 00:18:13,366
WHAT?!

461
00:18:13,366 --> 00:18:16,100
NO, YOU DIDN'T.

462
00:18:16,100 --> 00:18:17,733
YO, WHAT?

463
00:18:17,733 --> 00:18:18,933
WHOO! OK.

464
00:18:18,933 --> 00:18:20,066
OK, BABYFACE.

465
00:18:20,066 --> 00:18:21,400
DUDE'S TALKING ABOUT--

466
00:18:21,400 --> 00:18:23,133
LOOK AT CARLTON
DROPPING KNOWLEDGE, Y'ALL.

467
00:18:23,133 --> 00:18:25,100
WHO KNEW, MAN?

468
00:18:25,100 --> 00:18:26,300
YEAH, GIVE IT UP
FOR MY BOY!

469
00:18:26,300 --> 00:18:27,766
GIVE IT UP FOR MY BOY!

470
00:18:27,766 --> 00:18:29,900
WRONG! YOU KNOW DAMN WELL
THAT AIN'T THE ISSUE.

471
00:18:29,900 --> 00:18:32,666
THE ANSWER'S ONE.
3 FOREVER EVERS.

472
00:18:32,666 --> 00:18:35,966
BOTH: OUTKAST,
"MS. JACKSON," 2000.

473
00:18:35,966 --> 00:18:37,100
COOP: THANK YOU!

474
00:18:37,100 --> 00:18:39,566
WHOO!

475
00:18:39,566 --> 00:18:41,900
ANOTHER POINT FOR CARLTON.

476
00:18:41,900 --> 00:18:43,100
COOP: THANK YOU.

477
00:18:43,100 --> 00:18:44,333
"AT A BLACK CHURCH,

478
00:18:44,333 --> 00:18:46,266
"HOW LONG DOES PRAISE
AND WORSHIP LAST?

479
00:18:46,266 --> 00:18:48,033
"1--30 MINUTES,
2--AN HOUR, OR 3"--

480
00:18:48,033 --> 00:18:50,933
OK, OK, AIN'T NO WAY
BEVERLY HILLS GETTIN' THIS ONE RIGHT

481
00:18:50,933 --> 00:18:53,466
UNLESS HE BEEN
BINGE-WATCHING "PREACHERS OF L.A."

482
00:18:53,466 --> 00:18:54,833
JORDAN: MAN, WHAT'S
YOUR PROBLEM?

483
00:18:54,833 --> 00:18:56,233
YO, CHRIS, CHILL, MAN.
COOP: YOU'RE TRIPPING.

484
00:18:56,233 --> 00:18:57,500
THE ANSWER'S 3.

485
00:18:57,500 --> 00:18:58,633
WHENEVER THE CHOIR
DIRECTOR

486
00:18:58,633 --> 00:19:00,100
FEEL LIKE SHE'S DONE.

487
00:19:00,100 --> 00:19:01,300
ALL RIGHT.

488
00:19:01,300 --> 00:19:02,500
NOW STOP MESSING
UP THE GAME.

489
00:19:02,500 --> 00:19:04,200
CAM, NEW CARD.
YOUR TURN.

490
00:19:04,200 --> 00:19:05,933
OK, ALL RIGHT.
"IN THE BLACKS-IT,

491
00:19:05,933 --> 00:19:08,133
"IF BLACK FOLKS LEFT
AMERICA LIKE BRITAIN

492
00:19:08,133 --> 00:19:09,700
LEFT THE EU,
WHO DO WE TAKE?"

493
00:19:09,700 --> 00:19:12,600
I VOTE WE TAKE CARLTON HERE
AND EMINEM.

494
00:19:12,600 --> 00:19:15,833
THE WHITE FOLKS CAN KEEP
SPENCER AND STACEY DASH.

495
00:19:15,833 --> 00:19:17,700
YO, YOU REALLY
DISRESPECTING ME IN MY OWN HOUSE?

496
00:19:17,700 --> 00:19:20,200
I WAS JUST KIDDING, DAWG.
RELAX.

497
00:19:20,200 --> 00:19:22,933
NO, BRO, NOW YOU
SHOWING UP.

498
00:19:24,600 --> 00:19:27,566
UGH, WHEN DID YOU
GET SO SENSITIVE?

499
00:19:27,566 --> 00:19:30,166
GUESS BEVERLY HILLS GOT
YOU ALL SOFT NOW, HUH?

500
00:19:30,166 --> 00:19:32,466
HEY, YOU AND PRETTY BOY

501
00:19:32,466 --> 00:19:34,233
CAN HEAD BACK ANYTIME
IF IT GETS TOO HOT.

502
00:19:34,233 --> 00:19:35,533
DON'T LET US STOP YOU.

503
00:19:35,533 --> 00:19:37,166
YO, MAN, IF YOU GOT
SOMETHING TO SAY,

504
00:19:37,166 --> 00:19:38,766
JUST SAY IT.

505
00:19:38,766 --> 00:19:41,333
YOU AIN'T GOT
NO BUSINESS WEARING THAT CRENSHAW RING NO MORE.

506
00:19:41,333 --> 00:19:42,966
YOU DON'T BELONG HERE.

507
00:19:42,966 --> 00:19:46,000
SINCE YOU FELT LIKE
YOU HAD TO LEAVE US TO SUCCEED,

508
00:19:46,000 --> 00:19:48,133
YOU SHOULD HAVE JUST
STAYED GONE.

509
00:19:49,333 --> 00:19:51,500
WE GOT AN UPGRADE ANYWAY.

510
00:19:51,500 --> 00:19:53,600
AIN'T THAT RIGHT, CAM?

511
00:19:53,600 --> 00:19:56,100
YOU KNOW, HONESTLY,
I DOUBT CAM

512
00:19:56,100 --> 00:19:58,200
COULD EVEN TOUCH SPENCER
ON THE FIELD.

513
00:19:58,200 --> 00:20:00,633
PRETTY SURE WE GOT
THE UPGRADE.

514
00:20:02,133 --> 00:20:05,566
CHRIS: WELL, UH, WE'LL
SEE YOU IN THE PLAYOFFS.

515
00:20:05,566 --> 00:20:08,233
OH, WAIT, THAT'S RIGHT.

516
00:20:08,233 --> 00:20:11,000
BEVERLY HILLS AIN'T BEEN
TO THE PLAYOFFS IN YEARS.

517
00:20:11,000 --> 00:20:13,400
OH, THEY WILL THIS YEAR.
THEY GOT ME.

518
00:20:13,400 --> 00:20:15,200
WHY WAIT?

519
00:20:15,200 --> 00:20:16,733
OUR BOYS CAN BE
HERE IN 45.

520
00:20:16,733 --> 00:20:18,533
WHY DON'T YOU
GRAB YOUR SQUAD?

521
00:20:18,533 --> 00:20:20,833
LET'S SETTLE THIS
RIGHT NOW.

522
00:20:22,233 --> 00:20:24,200
I'LL TELL YOU WHAT,

523
00:20:24,200 --> 00:20:25,933
Y'ALL WIN,

524
00:20:25,933 --> 00:20:29,500
YOU CAN TAKE THIS
CRENSHAW RING OFF MY FINGER FOR GOOD.

525
00:20:35,600 --> 00:20:37,833
♪ LET THE GAMES BEGIN,
LET THE GAMES BEGIN ♪

526
00:20:37,833 --> 00:20:41,033
♪ ONLY PLAY TO WIN,
YEAH, I'M GOING IN ♪

527
00:20:41,033 --> 00:20:44,000
♪ LET THE GAMES BEGIN,
LET THE GAMES BEGIN ♪

528
00:20:44,000 --> 00:20:46,966
♪ GO AND LET THE RECORD SHOW
I WAS STILL IN ♪

529
00:20:46,966 --> 00:20:51,033
YOU AIN'T HAVE TO CALL
THE REST OF THE GUYS HERE.

530
00:20:51,033 --> 00:20:54,033
I HAD IT HANDLED.

531
00:20:54,033 --> 00:20:55,266
TOO LATE.

532
00:20:55,266 --> 00:20:56,533
♪ TAKE IT WAY BACK ♪

533
00:20:56,533 --> 00:20:58,066
♪ I SAY THIS IS IN MY BLOOD ♪

534
00:20:58,066 --> 00:21:00,633
♪ YOU CAN HEAR ME COMING
IF YOU LISTEN FOR THE DRUMS ♪

535
00:21:00,633 --> 00:21:02,266
♪ I'M GETTING PLAYBACK... ♪

536
00:21:02,266 --> 00:21:03,533
THANKS FOR COMING.

537
00:21:03,533 --> 00:21:06,300
THAT'S WHAT WE DO.

538
00:21:06,300 --> 00:21:08,433
LET'S GO.

539
00:21:08,433 --> 00:21:11,200
I'M SURPRISED
YOU SHOWED UP.

540
00:21:11,200 --> 00:21:14,500
WE'RE FIGHTING.

541
00:21:14,500 --> 00:21:16,833
DOESN'T MEAN I DON'T
HAVE YOUR BACK.

542
00:21:27,933 --> 00:21:30,600
I NEED YOU TO HOLD
SOMETHING FOR ME.

543
00:21:32,300 --> 00:21:34,300
YOU SURE ABOUT THIS?

544
00:21:34,300 --> 00:21:35,566
TOO LATE NOW.

545
00:21:35,566 --> 00:21:38,033
["RUN FOR YOUR LIFE"
BY THE SIEGE PLAYING]

546
00:21:38,033 --> 00:21:40,066
♪ I AIN'T TRYING
TO BRING YOU DOWN ♪

547
00:21:40,066 --> 00:21:42,033
♪ BUT FOR REAL, YOU MIGHT
AS WELL GIVE UP NOW ♪

548
00:21:42,033 --> 00:21:44,100
♪ THINK YOU GOT A CHANCE,
BUT I DON'T SEE HOW ♪

549
00:21:44,100 --> 00:21:46,100
♪ GOT A REAL TIGHT GRIP
WHEN I HOLD THAT CROWN ♪

550
00:21:46,100 --> 00:21:48,100
♪ MY LIFE BEEN GOOD
AND BAD AND ALL AROUND ♪

551
00:21:48,100 --> 00:21:50,166
♪ THE MORE THINGS I LOST,
THE MORE I FOUND ♪

552
00:21:50,166 --> 00:21:52,000
♪ ONE THING I TAUGHT
MYSELF TO DO ♪

553
00:21:52,000 --> 00:21:54,300
♪ NO MATTER THE PROBLEM,
REFUSE TO LOSE, SO ♪

554
00:21:54,300 --> 00:21:56,100
♪ HOW YOU WANT IT?
MAN, YOU CAN CHOOSE ♪

555
00:21:56,100 --> 00:21:58,133
♪ IF YOU CAN'T TAKE THE HEAT,
DON'T LIGHT THE FUSE ♪

556
00:21:58,133 --> 00:22:00,133
♪ SEE, I WALK IN SLOW
AND IGNITE THE ROOM ♪

557
00:22:00,133 --> 00:22:02,733
♪ LIKE FIRE, EVERYTHING
I TOUCH I CONSUME, I'M ♪

558
00:22:02,733 --> 00:22:04,466
♪ GETTING UP WHILE
Y'ALL JUST SNOOZE ♪

559
00:22:04,466 --> 00:22:06,133
♪ WHILE YOU MAKE BREAKFAST,
MAN, I'M ON THE MOVE ♪

560
00:22:06,133 --> 00:22:08,433
♪ I'M THE FIRST ONE IN
AND THE LAST ONE OUT ♪

561
00:22:08,433 --> 00:22:10,766
♪ WHOEVER OWNS THE PLACE
GOTTA DRAG ME OUT ♪

562
00:22:10,766 --> 00:22:12,333
♪ IN ME I TRUST ♪

563
00:22:12,333 --> 00:22:14,900
♪ YEAH, I SMELL LIKE SUCCESS,
THIS ELON MUSK, HUH? ♪

564
00:22:14,900 --> 00:22:16,633
♪ EVERYBODY WANNA
BE LIKE US ♪

565
00:22:16,633 --> 00:22:20,266
♪ WE DON'T STOP 'CAUSE THE TOP
JUST AIN'T ENOUGH, HUH? ♪

566
00:22:21,633 --> 00:22:23,500
DID Y'ALL THINK
I WOULDN'T NOTICE

567
00:22:23,500 --> 00:22:25,933
EVERYONE STARTED
DISAPPEARING?

568
00:22:27,333 --> 00:22:30,266
♪ AHH ♪

569
00:22:34,500 --> 00:22:35,933
OH, THAT'S ENOUGH
OF THIS.

570
00:22:35,933 --> 00:22:37,333
I'M STOPPING THIS.
NO, NO, NO, NO.

571
00:22:37,333 --> 00:22:40,566
MS. GRACE, MS. GRACE,
WITH ALL DUE RESPECT,

572
00:22:40,566 --> 00:22:43,300
THEY EITHER FIGHT IT OUT
HERE ON THE FIELD

573
00:22:43,300 --> 00:22:45,833
OR IN THE STREET.

574
00:22:53,566 --> 00:22:56,633
SO 7 US.
YOU'RE MAKING THIS EASY.

575
00:22:56,633 --> 00:22:57,933
OH, SO NOW YOU'RE
GONNA GUARD ME, HUH?

576
00:22:57,933 --> 00:22:59,866
WHY NOT? I ALREADY
TOOK YOUR SPOT.

577
00:22:59,866 --> 00:23:01,333
YOU AIN'T NEVER
GONNA BE ME.

578
00:23:01,333 --> 00:23:02,533
JORDAN: DOWN, SET, HUT!

579
00:23:02,533 --> 00:23:04,100
♪ EVERYBODY WANNA BE LIKE US ♪

580
00:23:04,100 --> 00:23:06,966
♪ WE DON'T STOP 'CAUSE THE TOP
JUST AIN'T ENOUGH, HUH ♪

581
00:23:06,966 --> 00:23:09,133
♪ I AIN'T NEVER GAVE NO ...,
I AIN'T SCARED, MAN ♪

582
00:23:09,133 --> 00:23:11,000
♪ YOU KNOW BLACK MEN
DON'T BLUSH, HUH ♪

583
00:23:11,000 --> 00:23:12,566
♪ CAME HERE READY TO FIGHT ♪

584
00:23:12,566 --> 00:23:13,900
♪ ON THIS NIGHT
YOU BETTER JUST ♪

585
00:23:13,900 --> 00:23:16,400
♪ RUN FOR YOUR LIFE ♪

586
00:23:16,400 --> 00:23:18,900
7-7.

587
00:23:27,000 --> 00:23:28,500
JORDAN: WE'RE DOWN 7-14.

588
00:23:28,500 --> 00:23:30,500
YOU'RE GONNA LOSE THAT RING
UNLESS YOU USE THE TEAM.

589
00:23:30,500 --> 00:23:31,700
LET SOMEONE ELSE
PLAY DEFENSE.

590
00:23:31,700 --> 00:23:33,133
I GOT THIS.
I KNOW THEIR PLAYS.

591
00:23:33,133 --> 00:23:35,500
MAN, DIDN'T WE JUST
GO THROUGH THIS LAST WEEK?

592
00:23:35,500 --> 00:23:36,766
THE TEAM--
THIS AIN'T ABOUT Y'ALL.

593
00:23:36,766 --> 00:23:39,900
IT'S ABOUT ME AND THEM.
I GOT THIS.

594
00:24:00,433 --> 00:24:02,666
[BACKGROUND SOUNDS FADE]

595
00:24:18,333 --> 00:24:19,800
[GRUNTS]

596
00:24:21,300 --> 00:24:23,400
[CHEERING]

597
00:24:25,700 --> 00:24:27,166
MAN: HEY, WHAT Y'ALL DOING?

598
00:24:27,166 --> 00:24:28,800
LET'S GO! LET'S GO.
COME ON.

599
00:24:28,800 --> 00:24:30,833
WHAT DO Y'ALL THINK
YOU'RE DOING?

600
00:24:33,400 --> 00:24:35,133
LET'S CUT THE FIELD LIGHTS.

601
00:24:35,133 --> 00:24:36,433
I GOT IT.

602
00:24:36,433 --> 00:24:40,366
GUARD: CHRIS, SPENCER.

603
00:24:40,366 --> 00:24:43,800
COME ON, MAN,
Y'ALL KNOW BETTER THAN THIS.

604
00:24:43,800 --> 00:24:46,266
DON'T MAKE ME CALL
THE COPS ON Y'ALL.

605
00:24:46,266 --> 00:24:50,400
LOOK, MAN...

606
00:24:50,400 --> 00:24:52,766
LET'S JUST END THIS, OK?

607
00:24:52,766 --> 00:24:55,133
WE'RE FAMILY.

608
00:25:00,433 --> 00:25:02,600
YOU'RE A JOKE, MAN.

609
00:25:02,600 --> 00:25:05,166
YOU'RE A JOKE.

610
00:25:09,200 --> 00:25:12,766
ANICA: ♪ YOU SAY THAT
YOU'RE SCARED ♪

611
00:25:12,766 --> 00:25:16,633
♪ OF WHAT YOU SEE ♪

612
00:25:16,633 --> 00:25:23,333
♪ YOU SAY THAT I'VE
TORN YOUR HEART IN TWO... ♪

613
00:25:23,333 --> 00:25:25,866
STALKER MUCH?

614
00:25:25,866 --> 00:25:27,266
IF YOU DON'T WANT PEOPLE
KNOWING WHERE YOU ARE,

615
00:25:27,266 --> 00:25:30,366
MAYBE STOP INSTA-STORYING
YOUR AVOCADO TOAST.

616
00:25:31,566 --> 00:25:34,833
♪ THEN WHY AREN'T YOU... ♪

617
00:25:34,833 --> 00:25:36,933
SO I COULD START BY
LISTING A HUNDRED REASONS

618
00:25:36,933 --> 00:25:39,966
WHY I'VE BEEN SO CAUGHT UP
IN MY OWN DRAMA,

619
00:25:39,966 --> 00:25:42,466
OR WE CAN JUST JUMP
RIGHT TO THE PART

620
00:25:42,466 --> 00:25:44,900
WHERE I'M AN IDIOT.

621
00:25:44,900 --> 00:25:47,300
IT TOOK ME A MINUTE
TO REMEMBER

622
00:25:47,300 --> 00:25:50,766
THIS WEEKEND'S
THE SECOND ANNIVERSARY OF YOUR MOM'S PASSING.

623
00:25:50,766 --> 00:25:53,566
I'M REALLY SORRY.

624
00:25:53,566 --> 00:25:55,566
I FEEL TERRIBLE.

625
00:25:55,566 --> 00:25:58,366
AND OF COURSE I REMEMBER
US COMMEMORATING HER AT ELEVATION PARK. AND--

626
00:25:58,366 --> 00:26:00,500
I'M REALLY GLAD
YOU REMEMBERED,

627
00:26:00,500 --> 00:26:03,300
BUT I DON'T NEED
YOUR PITY.

628
00:26:04,366 --> 00:26:06,533
I'M FINE, SO YOU'RE
OFF THE HOOK.

629
00:26:06,533 --> 00:26:12,866
♪ LET MY TIRED MIND
WANDER FREE... ♪

630
00:26:12,866 --> 00:26:16,033
SO WHY HAVEN'T I SEEN
YOU WITH ANY GIRLS IN SCHOOL BEFORE?

631
00:26:16,033 --> 00:26:19,633
BECAUSE I'VE NEVER FELT
THE NEED TO PUT MY BUSINESS OUT THERE, THAT'S WHY.

632
00:26:19,633 --> 00:26:24,600
OK. OK, SO WHEN'S
THE FIRST TIME YOU SAID THE WORDS,

633
00:26:24,600 --> 00:26:26,166
"I'M GAY,"
LIKE OUT LOUD?

634
00:26:26,166 --> 00:26:28,700
I NEVER HAD TO SAY IT.
I JUST AM.

635
00:26:28,700 --> 00:26:30,533
YOU NEVER SAID
THE WORDS?

636
00:26:30,533 --> 00:26:32,366
NO, IT'S JUST A WORD.

637
00:26:32,366 --> 00:26:34,933
I MEAN, IT'S OBVIOUS
I LIKE GIRLS.

638
00:26:34,933 --> 00:26:36,866
I'M NOT HIDING FROM IT.

639
00:26:36,866 --> 00:26:39,500
I'M NOT TRYING TO HIDE IT.
[CHUCKLES]

640
00:26:39,500 --> 00:26:41,600
I MEAN, I LIKE YOU.

641
00:26:41,600 --> 00:26:42,800
YEAH?

642
00:26:42,800 --> 00:26:44,333
YEAH.

643
00:26:44,333 --> 00:26:45,900
I DON'T KNOW,
SOMETHING TELLS ME

644
00:26:45,900 --> 00:26:47,733
YOU'RE FULL
OF SURPRISES, THOUGH.

645
00:26:47,733 --> 00:26:49,333
[CHUCKLES]

646
00:26:49,333 --> 00:26:52,333
WHAT, YOU GOT PLANS
OR DOWN TO HANG?

647
00:26:52,333 --> 00:26:55,600
I MEAN, IT'S COOL.
YOU CAN COME INSIDE, CHILL, KICK IT.

648
00:26:55,600 --> 00:26:58,066
WHATEVER.

649
00:26:58,066 --> 00:27:01,833
YEAH. YEAH, I'M
DEFINITELY DOWN TO HANG.

650
00:27:01,833 --> 00:27:03,633
OR WHATEVER.

651
00:27:03,633 --> 00:27:05,866
HA HA HA HA!

652
00:27:06,933 --> 00:27:11,866
♪ AHH, AHH ♪

653
00:27:13,333 --> 00:27:16,733
LISTEN, MAN, I KNOW
THINGS GOT A LITTLE INTENSE BACK THERE,

654
00:27:16,733 --> 00:27:19,366
BUT ON THE PLUS SIDE,
YOUR TEAM SHOWED UP FOR YOU.

655
00:27:19,366 --> 00:27:21,600
EVEN WITH ALL OF OUR
INTERNAL BS, THEY SHOWED UP.

656
00:27:21,600 --> 00:27:22,800
THAT HAS TO FEEL GOOD.

657
00:27:22,800 --> 00:27:24,033
THEY SHOWED UP FOR YOU

658
00:27:24,033 --> 00:27:25,233
AND TO STICK IT
TO SOUTH CRENSHAW.

659
00:27:25,233 --> 00:27:27,233
ISN'T THAT WHAT
YOU WERE DOING?

660
00:27:27,233 --> 00:27:28,933
ONLY BECAUSE YOU PUT US
IN THAT SITUATION.

661
00:27:28,933 --> 00:27:30,533
WE SHOULD HAVE NEVER
PLAYED THAT GAME.

662
00:27:30,533 --> 00:27:34,300
NOW MY OLD TEAMMATES
WON'T EVEN TALK TO ME.

663
00:27:34,300 --> 00:27:36,666
WHY YOU HAVE TO COME
HERE, MAN?

664
00:27:36,666 --> 00:27:38,033
SO LET ME GET THIS STRAIGHT.

665
00:27:38,033 --> 00:27:41,000
I SHOWED UP IN YOUR WORLD
AND BLEW EVERYTHING UP?

666
00:27:41,000 --> 00:27:43,666
SOUNDS FAMILIAR,
DOESN'T IT?

667
00:27:43,666 --> 00:27:46,233
[SIREN BLEATS]

668
00:27:47,566 --> 00:27:48,766
WHAT THE HELL?

669
00:27:48,766 --> 00:27:52,000
[POLICE RADIO CHATTER]

670
00:27:59,033 --> 00:28:00,833
IS THERE A PROBLEM,
OFFICER?

671
00:28:00,833 --> 00:28:02,500
LICENSE AND
REGISTRATION, PLEASE?

672
00:28:02,500 --> 00:28:05,066
WHY? I WASN'T
SPEEDING OR ANYTHING.

673
00:28:05,066 --> 00:28:07,033
YOU MADE AN ILLEGAL
TURN AT A RED LIGHT.

674
00:28:07,033 --> 00:28:08,700
LICENSE AND REGISTRATION.

675
00:28:08,700 --> 00:28:10,466
WHAT? HOW FAR BACK?
WHAT TURN?

676
00:28:10,466 --> 00:28:14,533
WHAT ARE YOU DOING, MAN?
JUST GIVE HIM WHAT HE ASKED FOR.

677
00:28:21,000 --> 00:28:22,700
WHAT ARE YOU BOYS DOING
IN THIS NEIGHBORHOOD?

678
00:28:22,700 --> 00:28:24,133
ARE YOU SERIOUS
RIGHT NOW?

679
00:28:24,133 --> 00:28:25,733
WE'VE DONE NOTHING
WRONG, MAN.

680
00:28:25,733 --> 00:28:26,933
JORDAN.

681
00:28:26,933 --> 00:28:28,133
THIS IS HARASSMENT.

682
00:28:28,133 --> 00:28:29,333
OK, MY MOM IS A LAWYER.

683
00:28:29,333 --> 00:28:30,766
STEP OUT OF
THE CAR, PLEASE.

684
00:28:30,766 --> 00:28:31,966
WHAT?

685
00:28:31,966 --> 00:28:33,200
I NEED YOU
TO STOP RESISTING

686
00:28:33,200 --> 00:28:35,500
AND GET OUT OF
THE CAR NOW.

687
00:28:35,500 --> 00:28:36,700
OK.

688
00:28:36,700 --> 00:28:39,100
I KNOW MY RIGHTS, OK?

689
00:28:39,100 --> 00:28:41,733
STAND TO THE SIDE,
PLEASE.

690
00:28:41,733 --> 00:28:43,433
JORDAN: I CANNOT BELIEVE THIS.

691
00:28:43,433 --> 00:28:45,666
YOU JUST WAIT UNTIL
MY MOM GETS A LOAD OF YOU, BIG MAN.

692
00:28:45,666 --> 00:28:47,600
I'M GONNA CALL MY MOM--

693
00:28:47,600 --> 00:28:49,266
OFFICER: YOU DO WHAT
I TELL YOU TO DO.

694
00:28:49,266 --> 00:28:50,933
I DON'T GIVE A DAMN
WHO YOUR MOM IS.

695
00:28:50,933 --> 00:28:54,033
SPENCER: OFFICER, SIR.
OFFICER.

696
00:28:54,033 --> 00:28:55,266
OFFICER:
GET OUT OF THE CAR.

697
00:28:55,266 --> 00:28:56,666
I'M SHOWING YOU
MY HANDS, ALL RIGHT?

698
00:28:56,666 --> 00:28:58,400
I'M UNARMED.

699
00:28:58,400 --> 00:29:01,000
HEY, LOOK, RESTRAINING
HIM AIN'T NECESSARY, OK?

700
00:29:01,000 --> 00:29:03,000
WE'RE COOPERATING.
HEY, CHILL. CHILL, MAN.

701
00:29:03,000 --> 00:29:05,033
STOP RESISTING.

702
00:29:05,033 --> 00:29:07,566
DIDN'T I ARREST YOU ONCE?

703
00:29:07,566 --> 00:29:08,566
[HANDCUFFS CLICK]

704
00:29:08,566 --> 00:29:11,100
HEY, JUST KEEP LOOKING
AT ME, ALL RIGHT?

705
00:29:11,100 --> 00:29:13,266
JUST KEEP LOOKING AT ME.

706
00:29:15,866 --> 00:29:18,633
I HAVE OFFICER TRISHELL'S
BADGE NUMBER ALREADY.

707
00:29:18,633 --> 00:29:21,466
I WANT TO SPEAK
TO HIS SUPERVISING OFFICER.

708
00:29:21,466 --> 00:29:22,933
WELL, HE CAN TALK TO ME
NOW OR HE CAN FACE ME

709
00:29:22,933 --> 00:29:25,100
IN THE MORNING WHEN
I FILE A LAWSUIT

710
00:29:25,100 --> 00:29:27,100
AGAINST HIS ENTIRE
DEPARTMENT.

711
00:29:27,100 --> 00:29:29,466
ARE YOU GUYS OK?

712
00:29:32,433 --> 00:29:35,200
JORDAN: HOW COULD YOU NOT
GO OFF ON THAT COP?

713
00:29:35,200 --> 00:29:37,133
WHY DIDN'T YOU
HAVE MY BACK?

714
00:29:37,133 --> 00:29:39,133
I HAD YOUR BACK.

715
00:29:39,133 --> 00:29:41,866
I GOT YOU HOME.

716
00:29:43,866 --> 00:29:46,933
WHY WOULD YOU EVEN ARGUE
WITH A COP IN THE FIRST PLACE?

717
00:29:46,933 --> 00:29:49,600
WHY WOULD YOU PUT YOURSELF
IN THAT KIND OF DANGER?

718
00:29:49,600 --> 00:29:51,666
I DID WHAT I WAS TAUGHT.

719
00:29:51,666 --> 00:29:55,066
I WAS STANDING UP FOR
MYSELF, OK, DAD?

720
00:29:58,066 --> 00:29:59,833
I'LL CHECK ON HIM.

721
00:30:07,633 --> 00:30:09,133
YO, CAN I ASK YOU
SOMETHING?

722
00:30:09,133 --> 00:30:10,333
MM-HMM.

723
00:30:10,333 --> 00:30:11,600
WHY YOU AIN'T NEVER
TALKED TO JORDAN

724
00:30:11,600 --> 00:30:13,333
ABOUT DEALING WITH
THE POLICE?

725
00:30:13,333 --> 00:30:16,500
BY THE TIME I WAS 8,
MY MOMS MADE IT CLEAR.

726
00:30:16,500 --> 00:30:19,500
COPS LIKE THAT, THEY SEE
MY BLACKNESS AS A WEAPON,

727
00:30:19,500 --> 00:30:22,233
YOU KNOW, SO YOU TALK SLOW,

728
00:30:22,233 --> 00:30:26,033
YOU DO AS THEY ASK,
YOU KEEP YOUR HANDS VISIBLE,

729
00:30:26,033 --> 00:30:27,666
AND YOU NEVER RUN.

730
00:30:27,666 --> 00:30:31,566
HOW COME YOU AIN'T
TELL HIM THAT?

731
00:30:31,566 --> 00:30:35,066
I GUESS I THOUGHT
I HAD TIME.

732
00:30:35,066 --> 00:30:38,333
I FOUGHT SO HARD TO
GET UP OUT THE 'HOOD.

733
00:30:38,333 --> 00:30:42,500
I HONESTLY THOUGHT
THAT WITH ALL THIS...

734
00:30:42,500 --> 00:30:46,600
I HONESTLY THOUGHT
THAT I HAD BOUGHT JORDAN

735
00:30:46,600 --> 00:30:49,266
JUST A LITTLE BIT
MORE TIME BEFORE...

736
00:30:49,266 --> 00:30:52,300
HE HAD TO FACE THE...

737
00:30:52,300 --> 00:30:56,633
THE UGLY SIDE OF
BEING A BLACK MAN IN AMERICA.

738
00:30:59,433 --> 00:31:02,100
CAN'T NOBODY SHELTER
HIS SON FROM IT.

739
00:31:03,233 --> 00:31:05,133
MM-MMM.

740
00:31:06,400 --> 00:31:08,500
[KEYBOARD PLAYING]

741
00:31:08,500 --> 00:31:11,900
[INSECTS CHIRPING]

742
00:31:21,266 --> 00:31:24,466
UM, WHY ARE YOU
WASTING YOUR TIME

743
00:31:24,466 --> 00:31:26,800
IN THESE MESSY-ASS HALLWAYS
OF SOUTH CRENSHAW

744
00:31:26,800 --> 00:31:28,733
WHEN YOU COULD BE,
I DON'T KNOW,

745
00:31:28,733 --> 00:31:31,533
GIVING DRAKE A RUN
FOR HIS MONEY?

746
00:31:31,533 --> 00:31:33,566
IT'S WHATEVER.
I DON'T KNOW.

747
00:31:33,566 --> 00:31:35,033
ARE YOU BLUSHING?

748
00:31:35,033 --> 00:31:36,966
WHAT, IS THE TAMIA COOPER
BLUSHING RIGHT NOW?

749
00:31:36,966 --> 00:31:39,900
YOU TRIPPIN', GIRL.
YOU KNOW BLACK PEOPLE DON'T BLUSH.

750
00:31:39,900 --> 00:31:43,600
SO, JUST BECAUSE YOU
CAN'T SEE IT DOESN'T MEAN IT'S NOT HAPPENING.

751
00:31:46,233 --> 00:31:48,200
MM-HMM.

752
00:31:48,200 --> 00:31:50,433
DEFINITELY WARM.

753
00:31:50,433 --> 00:31:52,800
DEFINITELY BLUSHING.

754
00:31:58,533 --> 00:32:00,266
CLASSIK: ♪ ARE YOU MINE? ♪

755
00:32:00,266 --> 00:32:03,466
♪ 'CAUSE I DON'T WANT
TO WASTE NO TIME ♪

756
00:32:03,466 --> 00:32:04,700
♪ I CAN'T DENY ♪

757
00:32:04,700 --> 00:32:06,333
♪ I'LL SHOW YOU LOVE ♪

758
00:32:06,333 --> 00:32:09,266
♪ BUT IT SEEMS TO ME
THAT YOU DON'T MIND ♪

759
00:32:09,266 --> 00:32:10,700
♪ AFTER ALL THIS TIME... ♪

760
00:32:10,700 --> 00:32:12,400
SO ARE YOU GONNA
PLAY ME ANOTHER SONG?

761
00:32:12,400 --> 00:32:15,266
♪ BUT IT SEEMS TO ME
THAT YOU DON'T MIND... ♪

762
00:32:15,266 --> 00:32:17,400
HELL, YEAH.

763
00:32:17,400 --> 00:32:18,600
♪ I AM YOURS ♪

764
00:32:18,600 --> 00:32:22,000
♪ LEAD THE WAY
LIKE MARTIANS ♪

765
00:32:22,000 --> 00:32:23,466
♪ LET'S CHANGE THE GAME ♪

766
00:32:23,466 --> 00:32:24,666
♪ I AM YOURS ♪

767
00:32:24,666 --> 00:32:28,200
♪ THROUGH RAIN AND SNOW ♪

768
00:32:30,633 --> 00:32:33,600
[DOOR CLOSES]

769
00:32:33,600 --> 00:32:35,300
[WHISPERING]
PATIENCE, COME ON.

770
00:32:35,300 --> 00:32:36,633
YOU GOT TO GET UP.
WAKE UP.

771
00:32:36,633 --> 00:32:38,033
OK, JUST GIVE ME
ONE SECOND.

772
00:32:38,033 --> 00:32:40,100
NO, YOU DON'T HAVE
A SECOND.

773
00:32:43,233 --> 00:32:45,933
OH, HEY, PATIENCE.

774
00:32:45,933 --> 00:32:47,266
HI.

775
00:32:47,266 --> 00:32:48,466
MAYBE YOU SHOULD GET HOME

776
00:32:48,466 --> 00:32:49,933
BEFORE YOUR MOM
GETS WORRIED.

777
00:32:49,933 --> 00:32:51,200
YES, MA'AM.

778
00:32:51,200 --> 00:32:52,300
GOOD MORNING, TAMIA.

779
00:32:52,300 --> 00:32:53,900
BREAKFAST IN 10.

780
00:32:53,900 --> 00:32:55,233
OK.

781
00:32:58,300 --> 00:33:00,533
[LAUGHS]

782
00:33:02,200 --> 00:33:06,200
SO YOU WANT TO TELL ME
WHY YOU HAD ME CALL EVERYONE HERE?

783
00:33:09,166 --> 00:33:11,066
LOOK, MAN, I'M SORRY
ABOUT YESTERDAY.

784
00:33:11,066 --> 00:33:13,066
IT'S KIND OF MESSED UP
IT TOOK BEING FACE DOWN

785
00:33:13,066 --> 00:33:15,866
WITH YOU IN THE CONCRETE
TO REALIZE...

786
00:33:15,866 --> 00:33:17,600
WE AIN'T ALL THAT DIFFERENT.

787
00:33:17,600 --> 00:33:18,866
AND I PROBABLY WOULD HAVE
REALIZED THAT SOONER

788
00:33:18,866 --> 00:33:20,533
IF I HADN'T BEEN
PUSHING Y'ALL AWAY.

789
00:33:20,533 --> 00:33:23,966
ASHER: WHAT'S WITH
THE IMPROMPTU MEET-UP?

790
00:33:23,966 --> 00:33:26,600
SPENCER'S GOT
SOMETHING TO SAY.

791
00:33:26,600 --> 00:33:27,933
HEY, THANK Y'ALL
FOR SHOWING UP.

792
00:33:27,933 --> 00:33:29,433
AND I DON'T MEAN
JUST THIS MORNING,

793
00:33:29,433 --> 00:33:30,866
I MEAN YESTERDAY, TOO.

794
00:33:30,866 --> 00:33:32,866
HEY, YO, MY LAST TEAM,
WE WERE LIKE A FAMILY,

795
00:33:32,866 --> 00:33:35,333
AND I JUST ASSUMED
Y'ALL WEREN'T DRIVEN BY THAT SAME BOND,

796
00:33:35,333 --> 00:33:36,666
AND THAT'S MY BAD.

797
00:33:36,666 --> 00:33:38,166
BUT Y'ALL TURNING
UP FOR ME YESTERDAY

798
00:33:38,166 --> 00:33:39,666
SHOWED ME WHAT KIND OF
TEAM Y'ALL REALLY ARE,

799
00:33:39,666 --> 00:33:41,033
AND I WANT IN ON THAT.

800
00:33:41,033 --> 00:33:43,400
CRENSHAW WILL ALWAYS BE
A PART OF WHO I AM,

801
00:33:43,400 --> 00:33:44,866
BUT BEING A BEVERLY EAGLE,

802
00:33:44,866 --> 00:33:47,366
THAT'S A PART OF
WHO I'M BECOMING.

803
00:33:47,366 --> 00:33:49,500
AND LOOK, MAN, I KNOW
I LOST LAST WEEK'S GAME.

804
00:33:49,500 --> 00:33:52,633
NO, YOU DIDN'T.
I THREW INTERCEPTION THIRD QUARTER.

805
00:33:52,633 --> 00:33:54,733
YOU DIDN'T LOSE
THAT GAME ALONE.

806
00:33:54,733 --> 00:33:56,733
MISSED TACKLE,
SECOND QUARTER.

807
00:33:56,733 --> 00:33:59,700
PASS INTERFERENCE,
FOURTH QUARTER.

808
00:33:59,700 --> 00:34:02,600
CLOUDED JUDGMENT.

809
00:34:02,600 --> 00:34:05,033
UNNECESSARY ROUGHNESS.

810
00:34:05,033 --> 00:34:06,600
YOU DIDN'T EVEN
PLAY LAST WEEK.

811
00:34:06,600 --> 00:34:08,200
THAT'S WHAT KEPT ME
FROM PLAYING.

812
00:34:08,200 --> 00:34:12,866
I LOST US THE GAME
BEFORE YOU EVEN STEPPED ON THE FIELD.

813
00:34:14,533 --> 00:34:16,233
ALL RIGHT, LET'S
BREAK IT DOWN, BOYS.

814
00:34:16,233 --> 00:34:18,666
GET IN HERE.

815
00:34:19,666 --> 00:34:22,133
EAGLES ON THREE.
1, 2, 3.

816
00:34:22,133 --> 00:34:23,500
ALL: EAGLES!

817
00:34:23,500 --> 00:34:25,900
JORDAN: ALL RIGHT.

818
00:34:34,066 --> 00:34:37,133
COOP: NO, SERIOUSLY,
DILLON BEAT HIM AT DOMINOES AGAIN.

819
00:34:37,133 --> 00:34:39,300
YOU SHOULD HAVE SEEN
MR. ROUNDTREE'S FACE. I THOUGHT HE WAS GONNA--

820
00:34:39,300 --> 00:34:44,133
I DON'T WANT YOU
HANGING AROUND THAT PATIENCE GIRL ANYMORE.

821
00:34:44,133 --> 00:34:46,566
THERE'S BEEN RUMBLINGS
IN THE CHURCH.

822
00:34:46,566 --> 00:34:48,966
SHE'S TROUBLE.

823
00:34:53,433 --> 00:34:56,400
SO...

824
00:34:56,400 --> 00:35:00,233
YOU THINK PATIENCE IS
TROUBLE BECAUSE SHE'S GAY?

825
00:35:00,233 --> 00:35:05,333
BECAUSE THAT WOULD MAKE ME
TROUBLE SINCE...

826
00:35:08,766 --> 00:35:10,966
SINCE I'M GAY, TOO.

827
00:35:12,366 --> 00:35:13,700
YOU'RE NOT GAY.

828
00:35:13,700 --> 00:35:15,166
YOU'RE CONFUSED.

829
00:35:15,166 --> 00:35:19,100
AND IT'S GIRLS
LIKE PATIENCE THAT ARE CONFUSING YOU.

830
00:35:24,666 --> 00:35:30,233
MOM, LOOK AT ME,
PLEASE.

831
00:35:30,233 --> 00:35:33,733
I AM GAY.

832
00:35:33,733 --> 00:35:37,400
AND THERE IS NO AMOUNT
OF PRAYER THAT'S GONNA CHANGE THAT.

833
00:35:37,400 --> 00:35:39,866
TRUST ME, I'VE TRIED.

834
00:35:41,633 --> 00:35:44,600
I LOVE YOU, TAMIA.

835
00:35:44,600 --> 00:35:49,000
YOUR FATHER AND I
WORKED HARD TO RAISE YOU RIGHT.

836
00:35:50,933 --> 00:35:55,933
BUT I'M SORRY. I...
I CAN'T CONDONE THIS.

837
00:35:58,033 --> 00:36:01,033
SO IF YOU CANNOT ABIDE
BY OUR RULES,

838
00:36:01,033 --> 00:36:04,266
YOU CANNOT LIVE
IN THIS HOUSE.

839
00:36:14,433 --> 00:36:19,433
WELL, THEN I GUESS...
I DON'T LIVE HERE ANYMORE.

840
00:36:30,533 --> 00:36:32,866
[DOOR CLOSES]

841
00:36:35,966 --> 00:36:38,100
[INDISTINCT CHATTER]

842
00:36:39,400 --> 00:36:41,100
HEY, WHAT UP?

843
00:36:44,666 --> 00:36:46,400
I THOUGHT I MADE
MYSELF CLEAR

844
00:36:46,400 --> 00:36:48,133
THAT YOU AIN'T WELCOME
HERE NO MORE.

845
00:36:48,133 --> 00:36:52,333
YOUR BOY, CAMERON,
HE QUICK ON HIS FEET,

846
00:36:52,333 --> 00:36:55,233
BUT HE TELEGRAPHS WHERE
HE GONNA GO WITH HIS EYES.

847
00:36:55,233 --> 00:36:56,333
EVERY PLAY.

848
00:36:56,333 --> 00:36:58,066
YOU GET HIM TO STOP
DOING THAT,

849
00:36:58,066 --> 00:37:00,533
YOU GOT A STRAIGHT LINE
TO THE PLAYOFFS.

850
00:37:02,466 --> 00:37:04,566
HEY, YO.

851
00:37:04,566 --> 00:37:07,033
WHY YOU HELPING US?

852
00:37:08,800 --> 00:37:10,966
'CAUSE NO MATTER
WHAT YOU SAY,

853
00:37:10,966 --> 00:37:13,100
THIS IS MY COMMUNITY,

854
00:37:13,100 --> 00:37:17,300
THIS IS MY FAMILY,
AND THIS IS WHO I AM.

855
00:37:17,300 --> 00:37:20,866
ME PLAYING FOR BEVERLY
AIN'T GONNA CHANGE THAT.

856
00:37:20,866 --> 00:37:25,300
FAMILY, WE HELP
EACH OTHER, RIGHT?

857
00:37:25,300 --> 00:37:29,133
PLUS, I WANT TO PLAY
THE BEST VERSION OF Y'ALL IN THE PLAYOFFS.

858
00:37:33,766 --> 00:37:35,666
BAKER: JORDAN,
I NEED FOR YOU TO KNOW

859
00:37:35,666 --> 00:37:39,700
THAT NONE OF WHAT
HAPPENED YESTERDAY IS YOUR FAULT.

860
00:37:39,700 --> 00:37:41,533
YESTERDAY YOU SAID--

861
00:37:41,533 --> 00:37:43,000
I KNOW WHAT I SAID.

862
00:37:43,000 --> 00:37:46,500
UM, I WAS SCARED.
I WAS ANGRY,

863
00:37:46,500 --> 00:37:47,700
AND I WAS WRONG.

864
00:37:47,700 --> 00:37:49,200
YOUR MOTHER AND I,
WE SHOULD HAVE HAD

865
00:37:49,200 --> 00:37:51,366
A TALK WITH YOU
A LONG TIME AGO

866
00:37:51,366 --> 00:37:54,366
ABOUT THE REALITY
OF FACING THE POLICE,

867
00:37:54,366 --> 00:37:57,633
AND THAT'S ON ME.
THAT'S MY BAD.

868
00:37:57,633 --> 00:37:58,900
SEE, I'M GONNA
FIX THAT TODAY,

869
00:37:58,900 --> 00:38:01,466
BECAUSE THE MOST
IMPORTANT THING TO US

870
00:38:01,466 --> 00:38:05,033
IS KEEPING YOU
AND YOUR SISTER ALIVE.

871
00:38:07,633 --> 00:38:09,266
IF I LOOKED LIKE SPENCER,

872
00:38:09,266 --> 00:38:11,900
WOULD YOU HAVE HAD
THE TALK WITH ME EARLIER?

873
00:38:13,466 --> 00:38:15,066
PROBABLY.

874
00:38:15,066 --> 00:38:18,100
YEAH, I--I THINK
I WOULD.

875
00:38:18,100 --> 00:38:20,233
WHY HAVE YOU NEVER
TAKEN ME TO CRENSHAW, DAD?

876
00:38:20,233 --> 00:38:22,433
WE LIVE 30 MINUTES AWAY
FROM WHERE YOU GREW UP,

877
00:38:22,433 --> 00:38:26,766
AND THE FIRST TIME I SPENT
ANY REAL TIME THERE WAS YESTERDAY.

878
00:38:26,766 --> 00:38:28,366
ARE YOU ASHAMED OF ME?
IS THAT IT?

879
00:38:28,366 --> 00:38:32,066
JORDAN, OF COURSE
I'M NOT ASHAMED OF YOU. I LOVE YOU.

880
00:38:32,066 --> 00:38:34,800
NOW, I DON'T SPEND TIME
IN CRENSHAW, BUT THAT--

881
00:38:34,800 --> 00:38:36,800
THAT HAS MORE TO DO
WITH--WITH MY PAST.

882
00:38:36,800 --> 00:38:38,566
BUT, YOU KNOW,
YOU'RE RIGHT,

883
00:38:38,566 --> 00:38:41,666
I SHOULDN'T KEEP YOU
SEPARATED FROM ANY PART

884
00:38:41,666 --> 00:38:43,900
OF WHO YOU ARE.

885
00:38:43,900 --> 00:38:47,466
AND I HAVE AN IDEA OF
A GOOD PLACE TO START.

886
00:38:47,466 --> 00:38:49,700
["COLD WAR" BY
CAUTIOUS CLAY PLAYING]

887
00:38:49,700 --> 00:38:54,000
♪ YELLOW-TINTED LENSES
AND A PINK GELATO ♪

888
00:38:55,733 --> 00:39:00,600
♪ FALLING OUT THE WINDOW,
HIT ME BACK TOMORROW ♪

889
00:39:00,600 --> 00:39:06,533
♪ WE'LL ALWAYS BE THE ONE
TOUGH ACT TO FOLLOW ♪

890
00:39:08,300 --> 00:39:12,600
♪ 'CAUSE WE AIMING FOR THE STARS
WITH A POINT AND HOLLOW ♪

891
00:39:14,500 --> 00:39:19,933
♪ FEELING THESE SONGS,
MOCKING JOKES AND CAROLS ♪

892
00:39:21,300 --> 00:39:26,433
♪ STARTED THIS JOB SELLING
ROCKS AND ARROWS ♪

893
00:39:26,433 --> 00:39:29,566
♪ 'CAUSE THEY ONLY SWIPE RIGHT
IF YOU ... FOR FOLLOWS ♪

894
00:39:29,566 --> 00:39:32,533
[DOORBELL RINGS]

895
00:39:32,533 --> 00:39:36,766
♪ WELCOME TO THE DAYS
OF THE BROKE AND SHALLOW... ♪

896
00:39:36,766 --> 00:39:38,233
I DIDN'T KNOW
WHERE ELSE TO GO.

897
00:39:38,233 --> 00:39:44,100
♪ BUT IF WE JUST SPOKE
LIKE WE MEANT IT ♪

898
00:39:44,100 --> 00:39:47,233
♪ WOULD YOU REFERENCE ♪

899
00:39:47,233 --> 00:39:50,200
♪ THIS OPEN PART OF ME? ♪

900
00:39:50,200 --> 00:39:56,733
♪ THE MINUTE I KNOW,
THE TIME WE SPENT IN ♪

901
00:39:56,733 --> 00:39:59,900
♪ CAME CORRECTED ♪

902
00:39:59,900 --> 00:40:03,466
♪ IN MY ANATOMY ♪

903
00:40:09,233 --> 00:40:11,466
MAN: HERE IT COMES.
HERE IT COMES.

904
00:40:11,466 --> 00:40:13,733
AND HER GRANDDAUGHTER
STRAIGHT UP TOOK ALL HER MONEY.

905
00:40:13,733 --> 00:40:14,933
I TOLD YOU.
I TOLD YOU.

906
00:40:14,933 --> 00:40:16,433
HEH HEH!
I TRIED TO TELL HER.

907
00:40:16,433 --> 00:40:19,366
I'M SURE YOU DID.
AND THERE'S NO HELPING SOME PEOPLE.

908
00:40:19,366 --> 00:40:21,500
BARBER: HA HA! YEAH.
BOY.

909
00:40:21,500 --> 00:40:23,000
THERE YOU GO, SON.

910
00:40:23,000 --> 00:40:24,333
THANKS.

911
00:40:24,333 --> 00:40:25,833
GOT HIM LOOKING SHARP.

912
00:40:25,833 --> 00:40:27,266
BARBER:
LOOKING REAL GOOD.

913
00:40:27,266 --> 00:40:29,200
YEAH, IT'S GOOD TO SEE
YOUR OLD MAN AGAIN.

914
00:40:29,200 --> 00:40:30,900
YEAH, IT BEEN A WHILE.

915
00:40:30,900 --> 00:40:32,400
YES, SIR.
OOH-WEE.

916
00:40:32,400 --> 00:40:33,933
THAT BOY JUST LOVED
GETTING IN TROUBLE.

917
00:40:33,933 --> 00:40:35,566
OK, EASY.
YEAH.

918
00:40:35,566 --> 00:40:37,266
HE EVER TELL YOU
THOSE STORIES? NO, SIR.

919
00:40:37,266 --> 00:40:38,966
GO ON.
BAKER: HERE WE GO.

920
00:40:38,966 --> 00:40:40,966
YEAH, HE WAS
THE RAW MAN BACK THEN.

921
00:40:40,966 --> 00:40:43,133
FOOTBALL PLAYER.
YEAH, HE WAS SOMETHING.

922
00:40:43,133 --> 00:40:45,466
YEAH, HE WAS LIKE
THE TASMANIAN DEVIL.

923
00:40:45,466 --> 00:40:47,833
BAKER: WHAT YOU
LOOKING AT? HEH HEH HEH!

924
00:40:47,833 --> 00:40:51,266
AND IT WASN'T TILL HE
STARTED DATING GRACE JAMES--

925
00:40:51,266 --> 00:40:54,200
ACTUALLY, IT WAS
GRACE HARPER BACK THEN.

926
00:40:54,200 --> 00:40:56,766
YEAH. ANYWAY, THAT'S WHAT
FINALLY SETTLED HIM DOWN.

927
00:40:56,766 --> 00:41:00,400
MY DAD AND--MY DAD
AND GRACE JAMES? OH, YEAH.

928
00:41:02,366 --> 00:41:04,000
THAT'S THEM RIGHT THERE.

929
00:41:04,000 --> 00:41:06,333
YEAH, AS INSEPARABLE
AS THEY WERE ALL THROUGH HIGH SCHOOL,

930
00:41:06,333 --> 00:41:08,900
I JUST KNEW THEY WERE
GONNA END UP MARRIED.

931
00:41:08,900 --> 00:41:11,200
YEAH, BUT I GUESS
I WAS WAY OFF.

932
00:41:11,200 --> 00:41:13,100
FUNNY HOW THINGS HAVE
A WAY OF WORKING OUT,

933
00:41:13,100 --> 00:41:15,333
HER SON LIVING
WITH YOU GUYS AND ALL.

934
00:41:15,333 --> 00:41:18,566
[CHUCKLES]
YEAH, THAT'S THEM.

935
00:41:18,566 --> 00:41:20,500
MM-HMM.

936
00:41:20,550 --> 00:41:25,100
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